Art Nouveau Gilt Bronze Tiffany Desk Blotter Ends

Art Nouveau Gilt Bronze Tiffany Desk Blotter Ends

Photo Credit: Relic-Island

Art Nouveau Gilt Bronze Tiffany Desk Blotter Ends

Buy It Now Price: $369.99


-These attractive Art Nouveau gilt bronze Tiffany desk blotter ends were made by the famous American luxury house of Tiffany Studios in the early decades of the 20th century, between about 1900 and 1918.

-These Tiffany desk blotter ends measure 12.25 inches (31.1 cm) long by 2.25 inches (5.7 cm) wide.  Each one is stamped "TIFFANY STUDIOS NEW YORK 1153" on the side.  1153 is an inventory number that denotes both the type of item (a desk blotter end) and the design (Abalone in this case).

-A desk blotter is a flat pad or sheet that is placed on the surface of a desk to protect it from damage due to ink spills or pen indentations.  They were traditionally made from leather, although synthetic plastic desk blotters are fairly commonplace today.  Desk blotter ends were placed on either edge of a desk blotter in order to help hold it in place.

-There are over 20 known patterns for Tiffany Studios desk sets.  The beautifully interwoven vine and leaf design shown above is known as "Abalone" due to the use of iridescent mother of pearl elements.  Abalone is one of the more commonly encountered Tiffany desk set designs.

-Art Nouveau was a naturalistic art style that was extremely popular between 1890 and 1910, although it persisted slightly longer in the U.S.  It typically featured women, flowers, insects or other nature themes, often in flowing, languid poses.

-The typical Tiffany Studios desk set had 6 pieces, including a letter rack, ink stand and desk blotter ends.  Other possible elements were a letter opener, box, calendar holder, ink blotter or pen tray, among others.

-The zeitgeist of these Tiffany desk blotter ends is off the charts!  They personify the flowing, naturalistic sensibilities of Art Nouveau style that was so popular before World War I.

-These Tiffany desk blotter ends are in remarkably good condition for being at least a century old.  The gilding is largely intact and the mother of pearl inlay has few cracked or chipped pieces.  This is unusual because mother of pearl tends to dry out over many decades, leaving it susceptible to damage.

-Tiffany Studios was a celebrated luxury house that always produced goods to the very highest quality standards.  From its origins in the 1870s until its demise during the Great Depression, the firm had often been in the vanguard of American style.  Because of this, luxury goods created by Tiffany Studios are always in high demand, with a price to match.  Therefore, I find the $370 asking price for these Tiffany desk blotter ends to be fair.


Antique Tiffany Studios Desk Accessories For Sale

Tiffany Zodiac Desk Set Vintage  Calendar Pencil Tray Hinged Notepad
Ends: 6d 14h 5m

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Tiffany Studios Desk Set Abalone Calendar Frame 1166
Ends: 1d 16h 29m
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Pair Tiffany Studios Antique Bronze Gold Patina Zodiac Desk Book Bookends 1091
$395.00 (23 Bids)
Ends: 2d 7h 59m

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Tiffany Studios Desk Set Abalone Pattern Inkwell 1157
Ends: 1d 16h 26m
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Tiffany Studios Venetian Desk Set Letter Rack
Ends: 26d 7h 57m
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-While I believe the $370 asking price is fair, I've seen this seller put these same Tiffany desk blotter ends on sale for $300 before.  At $300, I think this matching set would be a steal.  If you like them, you could always make an offer to the seller at the lower price.  I think he would probably accept it.

-Some people might consider a set of desk blotter ends to be an anachronism today.  However, I think they would be a welcome addition to the desk of any vintage fountain pen aficionado or office traditionalist.  In addition, these Tiffany desk blotter ends would make a stunning decorative item for a fireplace mantel or shelf in any well-appointed home.

-Unfortunately, fraud is rampant in the field of Tiffany Studios antiques, especially Tiffany lamps.  While this piece looks genuine to me, I am no Tiffany Studios expert.  The only element I found at all questionable is the micro-pitting evident on high magnification, which I attribute to corrosion due to storage conditions.  If you are unsure about the authenticity of this piece, I would recommend that you solicit a second opinion from a knowledgeable source.

-Tiffany Studios was a different company from the well-known luxury jeweler Tiffany & Co.  Don't confuse the two!

A 2018 to Do List for Alternative Asset Investors

A 2018 to Do List for Alternative Asset Investors

As 2017 departs and 2018 arrives, it makes sense for those interested in alternative assets to reassess their financial situation and make these smart moves.  So here is the Antique Sage's 2018 to do list for alternative asset investors:


Rebalance your portfolio from conventional assets to alternative assets

The paper asset markets have had a tremendous bull market run over the past 9 years.  So there is every probability that the stocks, bonds and mutual funds in your retirement or brokerage account are worth far more than they were just a few short years ago.

So now is the perfect time for you to take a little of your winnings off the table.  Sell some of your stocks and bonds and reallocate the proceeds into an asset class that hasn't performed as well.  Of course, there are very few asset classes that haven't performed well recently.

But there is one asset class that was completely overlooked in 2017: bullion, fine art and antiques have lagged substantially behind.  In my opinion, this makes them perfect for alternative asset investors in 2018.  Their prices are low and their valuations are reasonable.  A move from traditional paper assets like stocks and bonds into fine art and antiques would simultaneously de-risk your portfolio while improving future return potential.


Don't buy into the crypto-currency hype

Alternative asset investors may be sorely tempting to throw their money at those alternative asset niches that have done the best in 2017.  In this case, I'm referring to the crypto-currency complex.

Most crypto-currencies, including such illustrious participants as Bitcoin, Ethereum, Litecoin and Ripple, absolutely skyrocketed during 2017.  Bitcoin went from about $1,000 to $14,300 for an astounding 1,330% one year return.  However, Bitcoin was far from the best crypto-currency performer of 2017.  Ethereum rose by 7,470%, Litecoin increased by 5,775% and Ripple soared by an unbelievable 33,186%.

Now, I like the idea of crypto-currencies.  The world very much needs a form of money that is beyond the self-serving manipulations of corrupt central banks.  But Bitcoin, along with nearly every other crypto-currency currently in existence, has some pretty glaring flaws.

In short, it might be tempting for alternative asset investors to shift the entirety of their alternative asset allocation into crypto-currencies, especially in light of their recent outperformance.  But they should resist that urge.  Investment returns come in cycles.  Assets that perform well for an extended period of time inevitably underperform at some point in the future - usually when you can least afford it.


Buy yourself a wonderful piece of fine art

Life always seems to move faster than we would like it to.  There are always appointments to make, chores to finish and bills to pay.  But it is vitally important to step back and appreciate the world every once in a while.

A perfect way to do this is to buy a piece of beautiful art.  It could be a colorful print to display over your couch, or an avant-garde sculpture for your coffee table.  It could even be a fine piece of antique jewelry for you (or your spouse).  Almost anything that has been crafted by human hands with the primary intention of being aesthetically pleasing can qualify as art.

The only rule is that it should be a piece of art that appeals to you.  This might seem self-evident, but a surprising number of alternative asset investors get caught up in the idea of appreciation potential above all else.

Don't fall into this trap.  Instead, buy a stunning piece of art just because it speaks to you.  If you are lucky, that artwork will not only give you countless hours of viewing enjoyment, but also a reasonable investment return as well.


Make sure you have enough cash or other short-term investments on hand

With the stellar run that both the stock and bond markets have experienced over the last several years, it is easy to believe that the good times will last forever.  And it is true that securities markets may continue to rise at a rapid clip for a while to come.  But the fortunes of the stock market can change with shocking abruptness.

Therefore, it is wise to reassess your financial position and make sure that you have sufficient cash on hand to weather an unexpected market disruption.  It is even more imperative for alternative asset investors - those who collect notoriously illiquid assets like fine art and antiques - to have a healthy cash buffer.

Having a large pile of cash or other short-term investments will help you fight the urge to sell less liquid investments at inopportune times.  This might not seem terribly important right now, when every asset known to man is rising without pause.  But having sufficient cash holdings will become vital if there is ever a market downturn.  It is good to be able to sleep soundly at night without having to worry about financial Armageddon.

The Top 6 Art Investment Myths

The Top 6 Art Investment Myths

Read on as the Antique Sage debunks the top 6 art investment myths!  So if you are interested in investing in fine art and antiques, but are confused by all the misinformation, untruths and outright lies circulating on the topic, you've come to the right place.


1) Only millionaires can afford to invest in fine art and antiques

The idea that art is only for the wealthy is one of the ugliest, most persistent art investment myths out there.  It has been repeated so many times, by so many different people, that it has simply been accepted as being true without much thought.  This is understandable considering that films, books, magazines and newspaper have, intentionally or unintentionally, equated art investing with the ultra-rich.

And yet it is profoundly untrue, provided we are willing to entertain an open mind concerning what constitutes art.  Vintage mechanical wristwatches, antique sterling silverware, ancient coins and vintage fountain pens are all examples of antiques that are both moderately priced and investment-oriented.  In fact, I believe the greatest investment potential in the art market exists in the under $2,500 segment, with some investment grade artwork available for as little as $100.


2) Only paintings and full-sized sculptures count as art

This is one of those art investment myths born out of ignorance.  We are surrounded by a culture that lionizes the major arts - primarily painting and monumental sculpture - to the exclusion of all other art.  The rest of the visual arts, collectively known as the minor arts, have traditionally been treated as the red-headed step-children of the art world.  They are, at best, tolerated, but usually ignored.  This is a pity, because the minor arts boast some of the best workmanship and most alluring designs from hundreds of different cultures and time periods.  Yet, they receive almost no recognition in the art collecting community.

For example, traditional Japanese lacquerware is one of the most demanding, time-intensive crafts known to man.  It can take months for a skilled craftsman with decades of experience to prepare and apply the 25, 30 or even 40 layers of lacquer necessary to finish a single, high quality piece.  Yet, many Westerners have no idea fine lacquerware even exists, much less the skill and effort needed to create even a simple example.

So while paintings and large sculptures certainly qualify as art, I think that they are among the least interesting parts of today's art market.  The minor arts, with their combination of reasonable pricing and phenomenal workmanship, are really the up and coming market segment.


3) Art is a poor investment compared to traditional assets like stocks and bonds

One of the today's most popular art investment myths is that the traditional asset classes have decisively outperformed art since the mid 20th century.  According to this argument, broad stock market indices have tended to return around 10% per annum, give or take, over long periods of time.  But this assumes that an index investor immediately and unfailingly reinvests those dividends back into stocks - something that wasn't even possible before the arrival of the first index funds in the mid 1970s.

In reality, the growth in nominal GDP in a national economy (or global economy, if you are investing overseas as well) tends to cap long-term returns for all asset classes in that economy.  We can prove this by looking at some annualized, long-term, U.S. asset class returns from 1947 through 2016:

  • U.S. Treasury Bills - 4.10%
  • U.S. Treasury Bonds - 5.36%
  • U.S. Nominal GDP Growth - 6.43%
  • S&P 500 (without dividends) - 7.38%
  • S&P 500 (with dividends) - 11.11%

Notice how all the returns generally cluster around the nominal long-term annual growth in the economy?  That is because the growth in the economy is how these returns are "paid" or transformed into the real purchasing power of goods and services.  The only true outlier, the S&P 500 with dividends reinvested, is a theoretical number that almost nobody actually got, because almost nobody systematically reinvested dividends between 1947 and 2016.

Now that passive ETFs and index mutual funds are everywhere, it is a pretty good bet that stock returns with dividends reinvested will tend to be no higher than nominal GDP growth over the long-term.  It is a bit like Heisenberg's Uncertainty Principle applied to finance.  As long nobody knows about an investment trick, it works great.  Once everybody is aware of its existence, it doesn't work anymore.

Right now, fine art and antiques are the investment trick that nobody knows about.  But these alternative assets have just as strong a claim to future GDP as stocks or bonds.  As an added bonus, because so few people have invested in art to date, there will almost certainly be a period of elevated returns as art prices "catch up" to fair value.


4) Only artworks from famous artists are investable

Another one of those enduring art investment myths is the unyielding belief that it is the artist that makes the artwork.  We have all read or heard stories of paintings by Vincent Van Gogh, Pablo Picasso, Gustav Klimt or some other renowned artist selling for eye-popping, 8-figure prices.  It is easy to assume that these works are famous because they were made by these influential artists.  And there is a certain element of truth to this assertion; a famous maker undoubtedly boosts the value of a work of art.

But, like most art investment myths, this fallacy overlooks a very important fact.  Artists become famous because their art is widely recognized as having great merit.  In the end, it is the visual impact of the art that is important, not who created it.  To put it another way, I would much rather buy a great work by a completely unknown artist, than a poor work by a famous artist.  And make no mistake; there are some world famous artists who have produced some really bad art.

This rule of buying the individual artwork rather than the artist goes double if you hope to make money by investing in art.  The quality of the work you are considering purchasing must always be your primary investment criteria.


5) Fine art and antiques are too illiquid to be good investments

One of the things that everybody loves about traditional assets, like stocks and bonds, is that they are tremendously liquid.  You can generally log into your online brokerage account and execute a trade in just a few minutes (or even seconds).  In contrast, art is not nearly as easy to buy or sell for fair value.  You usually have to consign a piece to an auction house, or sell via eBay or another online outlet.  And because the market is so thin, there is no guarantee that you will walk away with the amount you originally hoped to realize.

And yet, the illiquidity of the art market isn't all bad.  Illiquidity restrains speculation and rapid turnover, meaning that the price you pay when investing in art is more likely to be a fair price, rather than an over-inflated, bubble price.  The U.S. stock market, on the other hand, has been plagued by recurring bubbles during the past 20 years which have whip-sawed weary investors with roller-coaster performance.  One of the reasons for these serial bubbles is undoubtedly the ease of trading in the stock market, which invites frenzied speculation.


6) Art investing is for insiders who can flip works for a quick profit

This is one of those insidious art investment myths - the idea that only "insiders", like art gallery owners, art critics and obsessive connoisseurs, can really profit from art.  The second part of this misconception is that these insiders scour hidden, back-channel sources for great art before anyone else even knows it's even there, and then turn around and almost immediately resell the works for big profits.  The sky-high bubble prices of contemporary artwork just a few years ago certainly adds to this perception.

But the reality is that most money in art is made by dedicated, but otherwise average investors who purchase good works at reasonable prices and then hold them for decades before selling.  In fact, I think that the minimum investment holding period for fine art and antiques is realistically 7 to 10 years.  Anyone looking to hold an artwork for less time should expect to take a loss on the sale.

Siberian Nephrite Jade Whiskey Stones

Siberian Nephrite Jade Whiskey Stones

Photo Credit: JadeSiberian

Siberian Nephrite Jade Whiskey Stones

Asking Price: $99


-This is a stunningly gorgeous set of 6 Siberian nephrite jade Whiskey stones that comes in a beautifully crafted hardwood box.  Whiskey stones are a recent invention meant to cool your whiskey or other hard liquor without diluting it like ice does.  Just pop them in the freezer for a few hours and they are ready to go!

-This jade whiskey stone set is made from high quality, Siberian nephrite jade.  Jade was first discovered in the Sayan Mountains of Siberian Russia, near Lake Baikal, in 1826.  In the late 19th and early 20th century, the world renowned Fabergé workshop in St. Petersburg extensively used Siberian jade in many of its sumptuous creations.  Shortly after the year 2000, Siberian nephrite jade started to be exported to China in order to meet the fast growing demand for high quality jade among newly wealthy Chinese consumers.

-Nephrite jade's extremely high thermal conductivity makes it perfect for use as a whiskey stone material; it will chill your drink very quickly compared to less thermally conductive materials.

-Unlike nephrite jades mined from some other locations, Siberian jade is known for its bright colors and excellent translucency.  These are both very desirable characteristics that make Siberian jade perfect for high-class carvings, objets d'art and jewelry.

-I like that this whiskey stone set is crafted in what is undoubtedly a small jade workshop in Siberian Russia using local materials.

-High quality jade is a great investment right now.  I especially like rough North American jade because of its good availability and lack of treatments.  Siberian jade is also excellent, but most production from Russian mines goes straight to China these days, making it difficult to source in North America or Europe.

-These Siberian jade whiskey stones absolutely encapsulate the extravagant zeitgeist of the modern age - an important element when investing in art.  These luxury items are Gatsbyesque excess incarnated, conjuring up images of a tuxedo-wearing man at a gala event swirling his glass of liquor and jade whiskey stones while explaining how he became a Bitcoin billionaire.

-This set of Siberian jade whiskey stones comes in its own custom-made, fitted hardwood box.  The box is available in your choice of solid ash or birch, two hardwoods endemic to southern Siberia.

-I believe these Siberian jade whiskey stones are a great example of a future antique.  In 50 or 100 years, this set, along with its original hardwood box, will be most likely be a very desirable antique.  Given this probable outcome, I think the $99 asking price is perfectly justified.


Siberian Nephrite Jade For Sale

SIBERIAN NEPHRITE JADE Polished Cabochon 73 grams 181w Healing Property Card
Ends: 5d 15h 37m
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SIBERIAN NEPHRITE JADE Polished Cabochon 133 gram 198w Healing Property Card
Ends: 22d 6h 58m
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Siberian Nephrite Jade tumble Polished Cab Rough Semi Translucent USA Seller BN
Ends: 18d 9h 12m
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Authentic Natural Siberian Nephrite Jade tumbled Translucent Free Form Stone BN
Ends: 18d 9h 9m
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Natural Siberian Nephrite Jade tumbled Translucent Rough Faceting Cabbing Stone
Ends: 18d 9h 11m
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-This item is not antique, but is instead a new luxury good that is made from scratch when you order.  Under normal circumstances, buying new luxury goods for investment purposes is a stupid idea because the price is usually exorbitantly high.  In this case, the price is quite reasonable, making these jade whiskey stones a reasonable investment.

-The shipping cost to the U.S. for this set of Siberian jade whiskey stones is $25.  This is a bit steep considering the item itself is only $99.  But because it is coming all the way from Asiatic Russia, I think the high shipping charges are forgivable.

-Because these sets are custom made to order, there is no guarantee that you will receive jade of the same excellent quality of that shown in the photos.  So, buying this set is a bit of a gamble.  But for just a little over $100, it is quite possibly worth it, especially considering that more pedestrian whiskey stones might cost you anywhere from $20 to $60.