Longines – The Watch Brand That Time Forgot

Longines - The Watch Brand That Time Forgot

A few weeks before the 2021 holidays I stopped over at my parent's house on a mission.  My 17 year old niece is a fiction fanatic and I wanted to gift her a trilogy of paperback fantasy novels that I had read as a teenager.  However, after college I had opted to leave the books at my parent's house as space was in short supply in my new (and very cramped) urban apartment.

Now my parents are borderline hoarders.  I've never known them to willingly get rid of anything that might prove to be even remotely useful in the future.  As my mom likes to say, "I'll need it the minute I throw it out!"

So I thought my chances of finding that paperback trilogy for my niece were pretty good.

Then reality intervened.

It turned out that my parents had converted my old room into a makeshift storage warehouse.  It was packed nearly to the ceiling with archive boxes full of…well…stuff.  Think of the ending of Indiana Jones and the Raiders of the Lost Ark, except on a much smaller scale.

I dived in, ultimately spending hours picking through the debris.  I found everything from wicker baskets to a book on how to program computer graphics from the 1980s.  But the fiction trilogy I was looking for eluded my search.  I suspect that it was thrown out at some point.

It seems that although my parents like to save stuff, it is "their" stuff (and not anyone else's) that is important in the grand scheme of the universe.

I had struck out.

However, just as I was about to call off the search I noticed something glinting in the dark corner of a partially opened archive box.  I reached down with anticipation and slowly pulled out a beautiful vintage Longines wristwatch housed in a solid 14 karat yellow gold case, circa 1950.

This was a surprising development for me, but not too surprising.  You see, I have a knack for finding valuable things - so much so that I have occasionally been called a "truffle pig".  I'm the sort of guy who randomly pulls an old sterling silver spoon or gold thimble out of a junk drawer, provided any are there to be found of course.

I gave the newly found watch to my parents declaring, "It's a Longines cased in 14 karat gold.  That's a good old watch; hold onto it."  After briefly examining the watch, my parents had an epiphany about it origins.  This Longines had a family story behind it - one that I'll recount a little further on in this article.

But what a beauty this vintage Longines was!

Its solid 14 karat yellow gold case featured prominently flared lugs - a hallmark of 1940s to early 1950s Retro era design.  The completely original (albeit somewhat stained) dial sported applied gold Roman numeral markers along with a period appropriate Longines logo.  The sub-seconds - located at 6 o'clock - was absolutely typical for the time.  Popping off the back of the case, I found the movement was a manual-wind, 17-jewel Longines caliber 9LT.  The movement's serial number (7958924) indicated that it was produced in the year 1950.

An updated version of the 1940s era caliber 9L, the 9LT is a really interesting watch movement.  Both calibers were workhorses of the Longines wristwatch lineup, yet hardly get a second look from most vintage watch enthusiasts today.  In fact, it is difficult to find out any information about these movements at all!

But what I did discover was compelling.

Like most vintage Longines movements, the 9L/9LT family was produced exclusively in-house with no components sourced externally.  These high grade movements were used in a wide range of Longines wristwatches, including those with stainless steel, gold-filled and solid karat gold cases.

I will quote an anonymous online vintage watch enthusiast on the charms of the 9L/9LT movement:

"I don't have experience with the exact movement, but look at it.  It has solid gold chatons surrounding the ruby jewels.  [Editor's Note: The chatons are undoubtedly only gold-plated, but still reflect a high quality finish.]  Burnished teeth on the gears.  All the plates are chamfered.  It's Geneva Seal quality.  Far nicer than a Rolex or Omega of the period."

In my opinion, the Longines caliber 9L/9LT is the equal of the classic IWC caliber 89 or the superb Hamilton 982M of the same period (the "M" stands for either "medallion" or "masterpiece", depending on who you ask).  In contrast, Rolex movements of the era were generally considered sub-par in comparison.

 

Longines Caliber 9LT

A vintage Longines caliber 9LT

Photo Credit: Waha Watches

 

The family history behind my Longines watch find was no less interesting than its technical specifications.  According to my father, this Longines wristwatch originally belonged to his father (my paternal grandfather).  It was gifted to my grandfather when he "retired" from Koppers - a Pittsburgh, Pennsylvania-based chemical company where he worked as a chemist.  I put the word "retired" in quotation marks because my grandfather only left his job at Koppers when he was diagnosed with terminal lung cancer in the mid 1950s.

My grandfather died shortly after leaving Koppers and bequeathed his prized Longines watch to my father.  My father subsequently wore it during his high school years in the late 1950s/early 1960s until he carelessly broke the crystal once or twice.  He never wore it again after that.

So our family's elegant Longines watch became a sleeping beauty, tucked away in a stuffy archive box for 60 odd years until its recent rediscovery.

Likewise, the Longines watch brand is an incredible bargain hiding in the dark corners of the world of vintage timepieces, waiting to be found and loved again.

Like nearly all good watchmakers, Longines' origins lay nestled deep in the 19th century Swiss alpine countryside.  It was in the year 1832 that Auguste Agassiz and his partners founded the company in the town of Saint-Imier.  At first the firm assembled parts from other manufacturers into finished pocket watches.  But in 1867, Longines built a dedicated factory and started producing its own in-house movements.  It would continue making its own movements until the late 1970s.

After experiencing tremendous commercial growth during the last few decades of the 19th century, Longines moved to safeguard its brand from unscrupulous competitors.  The company filed its celebrated logo, a winged hourglass, as intellectual property with the Swiss authorities in 1889.  This copyright protection was extended in 1893 when the Longines name and hourglass logo were registered with the United International Bureaux for the Protection of Intellectual Property.  As a result, Longines has one of the oldest business logos in continuous use in the world today.

The firm's golden age began in the 1920s and ran through the 1960s.  It was during this period that many iconic Longines wristwatches were introduced.  These include the military aviator Weems chronograph (1927), the pilot-focused Lindbergh Hour Angle (1931) and the classic minimalist Flagship (1957).  These models are very popular with vintage watch aficionados today and usually command strong prices.

Longines was also renowned for the superlative styling of its Art Deco/Retro era dress watches.  Knotted, flared or stepped lugs complemented other venerable hallmarks of the age, including hourglass cases, pie-pan dials and applied Breguet Arabic numerals.  These luxury watches were often housed in solid white or yellow karat gold cases, sometimes studded with diamonds.

 

1950 Longines Dress Watch

My grandfather's 1950 Longines Retro era watch featuring a 17-jewel 9LT movement.

 

The Longines brand only began to decline in the public consciousness during the 1970s.  This was the time of the Quartz Crisis in the Swiss watch industry, when cheap and super-accurate quartz watches largely displaced traditional mechanical movement watches.  Many traditional Swiss watchmakers (and all the major American watchmakers) either went bankrupt or were sold during this time.  Although Longines held out longer than most, it was eventually forced to merge with the Swatch Group in 1983.

This event was both a blessing and a curse.

On the one hand it allowed Longines to live on when it probably would have gone bankrupt and liquidated otherwise.  But it also meant that Longines was no longer an independent company.  Swatch eventually determined that Longines would no longer develop or produce its own movements, but would instead use ETA movements.  Although ETA makes robust calibers that are used by many different Swiss watchmakers, they do not have the same cachet and recognition that in-house movements do.

Another side effect of the Swatch acquisition is that Longines now found itself fighting with other Swatch brands for market share.  In order to prevent its brands from cannibalizing each other, Swatch assigned each in-house brand its own "tier" within the organization.

For example, the Swatch brand is the lowest tier.  These are quartz fashion watches with bold styling, bright colors and copious use of plastic.  The price point of Swatch watches is typically between $50 and $100.  The next tier up is Tissot, another Swatch Group brand.  Then comes Hamilton, a once great American watch company that fell on hard times in the 1970s and was sold to Swatch.

Longines is next in line.  It is positioned as a mid-tier brand within the Swatch Group - not super expensive, but not cheap either.  This is a tremendous change from its heady days as an independent company when Longines was considered a luxury brand par excellence.  But today both Omega and Blancpain sit above Longines in the Swatch Group hierarchy.

The storied history and outstanding quality of vintage Longines watches provide the collector of older timepieces with a unique opportunity.  Because of its modern-day circumstances as a "mid-tier" watch brand, high quality vintage Longines wristwatches are surprisingly affordable.  This is especially the case when their prices are compared to other peer or near-peer vintage watch manufacturers.  In effect, antique Longines watches are great bargains relative to vintage Piagets, IWCs and Vacheron Constantins, among others.

For example, it is possible to pick up a freshly serviced 1960s era Longines Conquest or Flagship automatic cased in stainless steel for under $1,000 today.  Meanwhile, a rather run-of-the-mill vintage Rolex Oyster Perpetual in stainless steel will generally run you anywhere from $3,000 to $5,000.  As you can see, vintage Longines watches represent a compelling value proposition.

 

Vintage Longines Automatic Watches for Sale on eBay

 

Of course, if you care about the resale value of a vintage watch you are looking to buy, then brand matters.  A strong brand equates to more demand and higher prices - just look at Rolex!  But one of the great mistakes that watch enthusiasts make is to assume that brand is static - that today's leading brand must also be tomorrow's dominant brand.  The fact is that none of us knows which watch companies and brands will be highly esteemed 40 or 50 years from now.

This leaves the watch investor with a fundamental dilemma.

Do we purchase a vintage watch based solely on the quality of its movement, attention to detail and overall workmanship or do we buy based primarily on brand image?  Given that we don't know which brands will be in vogue decades hence, I tend to lean toward the former strategy rather than the latter.  I find it satisfying to know that the vintage watch I hold is a miniature work of art - a marvel of technical engineering shrunk into a movement the size of a couple coins stacked on top of each other.

Although I do think quality ultimately wins this debate, one must always keep an eye on the brand in order to have a balanced perspective.

Happily, the vintage watch aficionado sacrifices very little when buying a fine old Longines.

The company's vintage movements were all designed and manufactured in-house.  The fit and finish of its pre-1975 watches are universally excellent.  Every style of Longines can be found - from formal dress watches to sporty tool watches.  The history of the firm, setting aside its unfortunate post Quartz Crisis fall from grace, is impeccable.

Longines dress watches from the 1930s to the 1960s in solid karat gold cases offer exceptional value for money at the moment.  These watches can be readily found in a dizzying array of case styles with either sub/center seconds or without them - the choice is yours.  A wide range of stylistic choices are available in the $500 to $1,200 range.  Solid karat gold Longines dress watches are criminally undervalued right now - a situation that can't persist forever as supply inexorably dwindles due to the demographic trends inherent to the estate industry.

Another solid investment choice is World War II era Longines Weems pilot watches.  These are still available in reasonable states of preservation in the vintage watch marketplace for less than $5,000.  Although the Weems design was widely licensed and produced by many different manufacturers of the era, the Longines version still offers excellent value for the money.  This is remarkable considering that the Weems is the progenitor of today's ubiquitous sports watch styling.  In fact, I believe there is more than a passing resemblance between the Weems and that most hallowed of sport watches: the Rolex Submariner.

 

1953 Rolex Sub vs 1940 Longines Weems

The stylistic similarities between this first year of issue 1953 Rolex Submariner (ref. 6204) and this 1940 Longines Weems are striking. Most of the differences are superficial in nature, such as the Rolex's use of black enamel on the bezel or markers in place of numerals on the dial. Many of these altered visual cues can be purely attributed to translating an aviator watch into a dive watch.

Photo Credit: Bob's Watches & The Spring Bar

 

My final investment pick is Longines automatics from the 1950s and 1960s.  Notable automatic models of the period include the Conquest, Flagship, Admiral and high frequency Ultra-Chron.  Pre-1970 Longines automatics offer classic Mid-Century styling combined with standout movements (such as the illustrious Longines caliber 30L and 430 families).  As an added bonus, some models offer date functionality.  $800 to $2,000 will get you the pick of the litter in your choice of either a stainless steel or solid karat gold case.

Please note that not all of the Longines models listed above exclusively used automatic movements, so some discretion is necessary when shopping.

I would steer clear of any vintage watch (including vintage Longines) with a gold-filled or gold-plated case.  The plating always wears through eventually, leaving an impaired watch that is difficult to sell for good money on the secondary market.  Exceptions can be made for rare or otherwise exceptional watches (like an original Weems), but those are few and far between.

As always though, buy what you like.  Just keep in mind that depending on your tastes, some vintage watch purchases may not be investments in the strictest sense of the term.

I will leave you with this excerpt from the website of a respected British vintage watch dealer that concisely sums up the Longines value proposition:

"For how long vintage Longines watches will remain such good value is anybody’s guess.  They have risen steadily in worth over the last twenty years, but for no explainable reason have still retained their undervalued position in relation to the other major brands.  A decade ago, the most informed London dealers were saying that pre-1960 Longines material just had to soar in price in the internet age, but it hasn’t happened.  At the moment, experienced early Longines collectors live in a sort of smug parallel universe, where the most astonishing levels of quality can be obtained for a few hundred, or, in the very best cases, just a few thousand pounds and we have a feeling that’s exactly how they want things to stay.  If the market ever wakes up to just how exceptional these vintage Longines watches are, we’ll all see auction results that are triple, or more, what these pieces command today.  For the moment, for the thinking man who wants the ultimate in sharp aesthetic design and technical refinement without paying the high premiums associated with antique Rolex items, Longines is the perfect choice and cannot be recommended more wholeheartedly."

I couldn't have said it better myself.

 

Vintage Solid Karat Gold Longines Watches for Sale on eBay

 

Post Script:

Much to my surprise and delight, my parents presented me with my grandfather's Longines as a Christmas gift a few weeks after I found it.  A family heirloom had made its way into my hands.

Best.  Gift.  Ever.

I intend to have it serviced, cleaned and returned to working order.  I feel it is important to preserve and cherish these keepsakes from our past.  If we do not save them, then one day they will be gone - and our memories with them.

 

Read more thought-provoking Antique Sage editorial articles here.

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Antique Brooches & Pins – A Dazzling Past

Antique Brooches & Pins - A Dazzling Past
This sumptuous calibre cut green tourmaline and yellow gold Edwardian bar pin was made in the United States circa 1915.  Antique brooches and pins represent one of the best values in vintage jewelry today, giving far more bang-for-your-buck than similar quality rings, pendants or bracelets.

I recently visited a local antique store in search of a piece of nice vintage furniture to spruce up my house.  Much to my chagrin, I discovered that everyone in my part of fly-over country apparently took the advice I had laid out in an article I wrote in late 2019 titled "Is 2020 Finally the Year to Buy Antique Furniture?"

In retrospect, the answer was clearly yes.  2020 was the year to buy antique furniture.

Who knew?

By the time I got around to browsing the aisles of this particular antique shop, any decent piece of old furniture was long gone.

But there was something else I saw there that caught my eye.  In a display case filled with vintage costume jewelry and mediocre low karat gold Victorian pieces there was a hidden gem.  Nestled in the corner amongst the dreck was a gorgeous yellow gold Edwardian bar pin set with a row of bright green stones.  The very first thing I noticed upon handling the piece was how heavy it was given its small size.  Even though it only measured 40 mm (1.6 inches) in length, the antique pin weighed in at a hefty 4.16 grams.  When a piece of vintage jewelry has great heft for its size it is almost always a sure sign of quality.

Upon closer inspection I determined that the brooch was solid 14 karat gold set with 10 immaculate, square-cut green tourmalines.  The tourmalines totaled a substantial 1.9 carats and were all calibre cut - a style where square or rectangular stones are precisely faceted to sit shoulder-to-shoulder with no gaps in-between.  Calibre cutting first became popular in French jewelry around the year 1900 before rapidly spreading across the globe.  But calibre cutting was very labor and material intensive; yields on calibre cut gems from the original rough were invariably low.  As a result, calibre cut stones are usually only found in better pieces of antique jewelry (and are almost never found in modern jewelry).

The overall effect was stunning.

The rich yellow-gold hue of the millegrain setting beautifully highlighted the luscious deep-green calibre cut tourmalines.  And the goldwork itself was flawless - solidly hand-worked without a trace of porosity or messy solder.  You would be amazed at how many pieces of supposedly fine jewelry have nasty, sloppy goldwork - things like bulky prongs or rough finishes in hidden areas.

We can use this tidbit of knowledge to our advantage, though.  You can learn the true quality level of a piece of jewelry by turning it over and looking at its back under magnification.  Any deficiency in a piece's goldwork will be instantly visible.

But this gold and tourmaline Edwardian pin was a true jewel all around - even when viewed from behind.

By my estimate, the brooch was made in America around 1915.  Its simple, but boldly linear design foreshadowed the rise of the Art Deco movement in the early 1920s.  The brooch would have been a fairly high end piece for its time, with a retail price of at least $10 when new - equivalent to a hefty U.S. gold eagle coin containing about half a troy ounce of pure gold (the U.S. was still on a gold standard in the 1910s).

This is ideally what antique jewelry is all about.  Here was a chunk of finely wrought precious metal dripping with luxurious gemstones - a feast for the eyes.

The tag on the piece asked $325.  This was a good start.  If the asking price is too high, negotiating a reasonable final price becomes all but impossible.  I asked the woman behind the counter if the price was negotiable (pro-tip: the prices in antique stores are almost always negotiable).  Because the store was a co-op (several dealers sharing a single physical location), the clerk had to call the item's dealer to inquire.  The final price proffered by the dealer was $275 - a $50 discount.

I wavered.  I had been hoping the dealer would come down to $250.  I said I would think about it and walked out of the store.

After several weeks of deep thought, I stopped back at the antique shop and asked if the discounted $275 price still stood.  A short phone call to the dealer confirmed that it did and I walked out of the store the happy owner of an exquisite piece of fine antique jewelry.  In the end I decided that a $25 difference in price - the cost for two people to eat at a fast food restaurant these days - was ultimately immaterial.

But my story raises an interesting question.  Why are antique brooches so cheap?

In a vintage jewelry market where it has become progressively more difficult to find any high quality pieces for less than $700 or $800, why could I walk out of an antique shop with a superlative Edwardian pin for under $300 - less than the cost of a monthly car payment?

 

Cartier Art Deco Diamond Brooch

This Cartier Art Deco diamond, pearl and rock crystal brooch is a stunning example of the "white look" that was popular in the 1920s.

Photo Credit: Tim Evanson (Creative Commons 2.0 License)

 

Brooches and pins have had a tough time of it lately.  The market for antique brooches has been soft for more than two decades.  As a result, prices for these wonderful pieces of history have been depressed.

As simple as it may seem, the primary reason vintage and antique brooches are so inexpensive is that they are currently out of fashion.

A brooch is a piece of jewelry meant to be worn on a blouse, jacket or dress.  But since the early 1990s we have trended towards less and less formal women's clothing.  Brooches look best on lapels, collars, straps and other relatively formal fashion trim.  The formless, undulating sweaters and T-shirts of the modern age simply don't accommodate pins or brooches well!

This means that a glut of vintage and antique brooches has flooded the market while demand has remained subdued.  Consequently, prices for old pins are often much, much lower than equivalent pieces of antique jewelry in other forms - like rings or pendants.

Of course, I don't expect this state of affairs to persist forever.  Clothing styles make long round-trips from more formal to less formal attire and then back again.  Granted, these fashion trends can take decades to fully unfold, so this isn't a situation I expect to positively resolve within the next few months!

Another thing that antique brooches have going for them is that there are a limited number of general jewelry types in existence.  For example, we have rings, earrings, necklaces and pendants, bracelets and anklets and, finally, brooches and pins.  Every other type of jewelry gets tossed in a minor catch-all category (i.e. tiaras, hat pins, nose studs, etc.)

In the final analysis there are just 5 broad classes of jewelry.  This fact alone practically guarantees that brooches and pins will come back into style at some point in the future.

Indeed, the brooch has been with us continuously since ancient times.  The Celts, Greeks and Romans used cloak pins called fibula that were made out of bronze from a very early period - before 1000 BC.  These fibulae were the very first brooches.

Although purely utilitarian to start, the fibula soon evolved into a full-fledged jewelry piece that was indispensable to any high-class ancient woman.  Instead of bronze, more expensive examples were wrought from silver or gold.  By late antiquity, enamel and gemstones were often liberally applied to fibulae as well, completing their journey from utilitarian fashion accessory to pure luxury good.

During the early medieval period the safety pin like form of the ancient fibula gradually changed into the annular brooch - a bejeweled circle with a pin behind it so it could be fastened onto a cloak or shirt.  Once the annular brooch developed, every other shape of brooch imaginably wasn't far behind - squares, cruciforms, discs and, of course, the familiar bar pin.

So the brooch has been with us for a long, long time.  It isn't going anywhere, regardless of how hopelessly unfashionable it might seem today.

But the real reason I like antique brooches as an investment is because they are incredibly undervalued.  Dollar for dollar they are one of the least expensive forms of vintage jewelry (along with other fashion refugees like cufflinks).  So a hypothetical $1,000 spent on antique brooches will go further than if the same amount was spent on vintage earrings or bracelets, for example.

 

Edwardian & Art Deco Antique Brooches & Pins for Sale on eBay

 

Perhaps my favorite way to exploit this mispricing is to look for antique brooches that contain natural (non-synthetic) colored gemstones.  It has become clear that the modern world is facing a looming colored gemstone shortage.  Yet imminent disaster has been avoided over the past couple of decades by an improbable series of events.

First, there have been a handful of major colored gem field discoveries since the 1990s.  The resulting mine output hasn't been massive on an absolute scale, but it has been sufficient to keep the global markets supplied at the margins.

Second, the Great Financial Crisis of 2008-2009 and the austerity policies adopted by most developed countries in its aftermath suppressed demand for jewelry and, by extension, colored gemstones during the 2010s.  However, these anti-middle class austerity policies are being abandoned due to a combination of COVID response (with its direct cash payments to citizens) and popular political support for higher wages for the average worker.

But before we can fully explore the economics of investing in antique brooches, I think it is important that we understand colored gems a bit better.

The colored gemstone market is both highly fragmented and relatively small.  It is estimated that more than $170 billion worth of gold is mined every year, compared to just $16 billion for rough diamonds and a piddling $3 billion for all rough colored gemstones combined (excluding jade).

Almost all colored gem mining is artisanal in scale.  Artisanal mining refers to small groups of individual miners that primarily use hand tools (or hand-held power tools) to extract gems.  Colored gemstone miners rarely enjoy the benefits of the massive mechanization seen in the diamond industry.  And it would hardly matter if they had access to all that expensive equipment anyway - most colored stone deposits are too small for large scale mining to make economic sense.

Due to God's wonderfully dry sense of humor, almost all major colored gem deposits are located in geographically remote and politically unstable regions.  The biomes surrounding these mines are typically scorched deserts, burning savannas or primeval jungles.

Poor countries like Afghanistan, Madagascar, Sri Lanka, Myanmar and Tanzania are some of the places renowned for their rich deposits of colored stones.  But these are destinations few tourists would willingly visit.  As you can imagine, gem mining is an extremely challenging industry with deadly landslides, cave-ins and flash floods being commonplace.  And that is before one takes into consideration the tangential dangers inherent in bribing corrupt government officials, dodging armed rebel groups and side-stepping bloodthirsty bandits.

Another problem is that gemstone deposits do not last forever.  Many famous mines have now been completely, or nearly completely, exhausted over the centuries.  For instance, the last jewels of the renowned Golconda diamond mines of India reached the world about 300 years ago.  The legendary Kashmiri blue sapphire mines in the snow-capped Himalayas fell silent a century ago.  The fantastical Mt. Mica tourmaline workings located in the backwoods of Maine, U.S.A. have all but ceased production.  And the once prolific Thai ruby mines that provided almost the entire world's supply of the noble red gem from the 1960s to the 1990s are effectively played out today.

In other words, now is a great time to buy colored gems as an investment.  And antique jewelry - especially antique brooches - represents a near ideal vehicle to exploit that trend.

 

Retro & Mid-Century Vintage Brooches & Pins for Sale on eBay

 

So here are a few pointers when looking to buy antique brooches and pins.

First, look for examples that are well endowed with diamonds, colored gemstones or a combination of the two.  Although I am not a huge fan of white diamonds as stand-alone investments, they are still quite desirable in period jewelry - especially when they are old cuts.  Another benefit of buying antique brooches set with colored stones is that you are likely to get either completely untreated or lightly treated specimens - a great boon in a world where modern gem treatments are becoming ever more invasive and difficult to detect.

I do have a word of caution, though.

Synthetic colored gems were commonly mounted in jewelry starting at the end of the Victorian period/beginning of the Edwardian period, circa 1900.  Because they were the latest technological innovation, these synthetics (usually calibre cut Verneuil flame-fusion rubies or sapphires) were often mounted in very fine, expensive jewelry.  It isn't unusual to see synthetic gems sitting side-by-side with natural diamonds in high karat gold or platinum settings.  In fact, antique jewelry mounted with synthetics is collectible in its own right, although it will never be as valuable as similar jewelry set with fully natural stones.

In the end, it is up to you whether or not to accept vintage brooches and pins set with synthetic colored stones.

When hunting for gem-laden antique brooches, I feel it is also important to avoid examples mounted with stones that are too small.  One of the age-old tricks of the jeweler who is trying to keep costs down is to mount a piece with a myriad of very small stones.

I consider gems of 5 points (0.05 carats) or smaller to fall into this category.  These tiny gems cost very little, so a dazzling effect could be created for very little money.  Very small gemstones are not completely valueless, but they add very little to the intrinsic value of a piece.

As investors, we want to see larger gems mounted in our jewelry if at all possible.

Our ideal antique brooch would have a central colored stone weighing in at over 1 carat, surrounded by other smaller gems greater than 5 points each in size.  But I have found this condition to be almost impossible to meet at a reasonable price point these days.

Therefore, I have become more opportunistic when hunting for antique brooches.  I'm willing to entertain specimens that have no large central stone at all, but are instead set with many smaller stones that are greater than 10 points each.  The yellow gold and green tourmaline Edwardian brooch I describe at the beginning of this article is just such a piece.

I've also become more flexible about the colored gemstones I'm willing to buy in antique jewelry.

I like almost all colored gems from an investment perspective.  The big three - rubies, sapphires and emeralds - are all classics.  But it is very difficult to find antique jewelry set with larger sized specimens for a fair price.  Synthetics are also a potential pitfall here.

Stepping down a tier, we come to aquamarine, beryl, spinel, tourmaline, topaz, opal and jade.  These are all solid choices that are generally more readily available than the big three.  These are the gem-laden antique brooches that I favor most at the moment.  They provide the best combination of large gemstones, reasonable availability and low price.

Pearl brooches are another interesting choice, but you want to stick to natural pearls if at all possible.  These are generally found in Victorian, Art Nouveau and Edwardian era pins - all created before circa 1915.  This is due to the fact that cultured pearls first became commercially available in the mid-1910s (for baroque shapes) and around 1920 (for fully round shapes).  Pearls set in jewelry from before this time will be natural.

Half pearls (also called split pearls) and tiny seed pearls are the least valuable types.  They are often found in Victorian brooches as accent stones.  Baroque pearls, which range from off-round to fantastically shaped, are greater in rarity and value.  But fully round pearls, especially fully round pearls that are matched for size and color, are the most valuable of all pearls.

Sometimes you will come across antique brooches mounted with ultra-rare gems like color-change alexandrite, green demantoid garnet or canary yellow diamonds.  These are all highly desirable, but imitations abound.  So I advise caution here.

Vintage or antique brooches set with (non-fancy) red garnets, zircons, peridot, citrine, amethyst and other quartzes round out our colored gemstone possibilities.  These types of stones were generally mounted in less valuable jewelry, although there are certainly exceptions to this rule.  I personally avoid jewelry set with these types of stones unless they are truly exceptional, one-of-a-kind works.  As a side note, garnets and peridot are up and coming in today's gem market due to the fact that they are never treated.

 

Victorian Antique Brooches & Pins for Sale on eBay

 

Of course, gems aren't the only thing to consider when investing in antique jewelry.  You also want to look for antique brooches and pins that are good examples of their stylistic period.  You want your 1920s Art Deco pins looking sleek and angular and your 1940s Retro brooches looking big and bold.  Likewise, your 1880s Victorian brooches should be ornate and majestic while your 1900s Art Nouveau pins should exude whimsy and naturalism.

Choosing vintage jewelry with fine period style is so important that I'm often willing to loosen my gemstone requirements if I happen to find an otherwise perfect piece.

I won't talk at length about the different styles of antique brooches or pins you may encounter when searching antique stores or online listings.  Instead I will list them in chronological order, followed by a brief description.  If you want more information, this excellent article at The Loupe covers vintage jewelry styles in greater detail:

 

  • Victorian (1830 to 1900) - Victorian jewelry was ornate, heavy and formal, reflecting the tremendous cultural influence of the grand British matriarch herself. Bright-cut engraved or granulated yellow gold was often combined with rubies, sapphires and diamonds to great effect.  But lower value stones such as amethyst, citrine and garnets were just as popular.
  • Art Nouveau (1890 to 1910) - At the close of the 19th century, jewelers became obsessed with the beauty of the natural world. Female forms with long, flowing hair, birds, flowers and vines were all prominent motifs of this style.  Yellow gold and enamel were favored mediums, often set with diamonds, peridot or opals.
  • Arts & Crafts (1890 to 1910) - In a rejection of the increasingly industrial nature of jewelry fabrication, Arts & Crafts jewelry was all artisan handmade. The forms incorporated into this style of jewelry could vary considerably; medieval revival, simple geometric shapes and naturalistic motifs were all experimented with at one point or another.  It was common for sterling silver, enamel and lower value gems to be used with an emphasis on the rustic, handmade nature of the finished piece.
  • Edwardian (1900 to 1915) - Also known in France as La Bell Époque (The Good Times), Edwardian style combined the best elements of Art Nouveau and Victorian jewelry to create colorful, dainty and somewhat fanciful pieces that still resonate with us today. Edwardian jewelry often featured expensive materials like diamonds, natural pearls, sapphires and other high value gems mounted in platinum or karat gold settings.
  • Art Deco (1920 to 1940) - With its precise, rectilinear forms, Art Deco took the world by storm in the 1920s. Sleek platinum or white gold settings dripped with calibre cut emeralds, sapphires, rubies and diamonds.  The dazzling "white look" was in (yellow gold was rarely seen), sometimes accented by colored stones, jet black onyx or carved Chinese jade plaques.  High value materials were de rigueur.
  • Retro (1935 to 1950) - A desire to escape the dreary, harsh world of the Great Depression sparked the advent of Retro jewelry. Retro design was characterized by its big, bold, often asymmetrical look.  Scrollwork, ribbons and pave settings were common, often rendered in multi-colored (green, pink, white or yellow) gold.  Due to the interruption of gem supplies from Southeast Asia during World War II, citrines, aquamarine, amethysts and other less expensive gems were used just as often as precious rubies, sapphires and diamonds.
  • Mid-Century (1950 to 1970) - Mid-Century jewelry reflected the revived traditionalism and newfound prosperity of the post-World War II era. Playful animal motifs, stylized floral sprays and simple geometric designs were all commonly employed in Mid-Century jewelry.  Diamonds, sapphires, emeralds, and rubies were favorite gems during this era.  But slightly less expensive stones like aquamarine, pearls, coral and jade were also popular.
  • Modernist (1960 to 1980) - The 1960s brought a renaissance in artist-driven jewelry design. Avant-garde jewelers experimented with abstract designs dominated by organic or hyper-angular forms, extreme textures and unusual gemstone combinations. Almost anything goes with Modernist jewelry; it isn't unusual to see high value gems like diamonds or rubies sit side-by-side with low-value amber or moonstone.

 

As with any antique jewelry, I would only recommend picking up pins and brooches that are crafted in 14 karat gold or higher purity or platinum.  Palladium - a sister metal to platinum - is also acceptable.  However, palladium was only used in vintage jewelry for a short time during the 1940s as a platinum substitute when World War II caused the latter metal to be declared strategically important.

On a related note, good quality metalwork is too often overlooked in vintage jewelry.  You want clean, competent goldwork (or platinum-work).  Excess solder, porous castings, roughly finished surfaces and bulbous prongs are all to be avoided.  They are not only unattractive, but also indicative of poor workmanship.

Antique brooches are one of the greatest bargains in the world of vintage jewelry today.  Good examples combine the best elements of high intrinsic value, impeccable style and reasonable price in a way that no other type of vintage jewelry can rival at the moment.  Savvy investors interested in tangible assets would be wise to consider buying antique brooches and pins now, while they are still cheap.

 

Read more thought-provoking Antique Sage gems & jewelry articles here.

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Read in-depth Antique Sage vintage jewelry investment guides here.


Welcome to the World of Gonzo Investing

Welcome to the World of Gonzo Investing
Gonzo investing means buying alternative assets like this 124.9 gram off-white, Siberian nephrite jade river cobble.

We live in a weird, weird investment world.

And as famous gonzo journalist Hunter S. Thompson once wrote, "When the going gets weird, the weird turn pro."

For those of you unfamiliar with it, gonzo journalism is an iconoclast form of reporting where the reporter eschews objectivity and throws himself headlong into a news story, often becoming a part of its narrative.  Now I have no strong opinions about gonzo journalism.  But I do think we can apply its radical outlines to investing.

That's right.  I'm advocating for gonzo investing.

Welcome to the funhouse of mirrors that is our 21st century capital markets.  If the Federal Reserve insists on debasing the currency in order to prop up our Potemkin stock market, then why can't you and I invest in the most esoteric, unappreciated assets we can find?  Enter gonzo investing.

But what exactly is gonzo investing?

I would define it as purchasing alternative assets that are currently ignored or outright hated by the financial establishment.  The premise behind gonzo investing is that you want to be where "they" aren't.  You want to zig when "they" zag.  You want to be so far ahead of the curve that you're falling toward the horizon, not running to catch up in a rigged financial game you can never win.

And right now "they" (Wall Street dealmakers and the big banks) love SPACs, private equity funds, passive ETFs, Bitcoin, FAANG stocks and anything with a lot of beta (a measure of sensitivity to broad market movements).

Therefore, according to the rules of gonzo investing we should pursue assets that have been left behind - things like precious metals, antiques, gemstones, fine art and other tangible assets.

As an aside, I'm going to leave it up to the reader whether to include crypto-currencies in their own personal gonzo investing universe.  But I will say this: Bitcoin can't be a gonzo investment.  It is the subject of intense Wall Street interest and admiration.  It has futures contracts trading on it, for God's sake!

Bitcoin is crypto-currency 1.0 - the least technologically advanced of all the cryptos (with the exception of its clones).  Even Litecoin (a near copy) is significantly more capable than Bitcoin!  Bitcoin's first-mover advantage is the only reason it has captured the demented imagination of Wall Street…for now.

What I'm saying is that if you intend to indulge in gonzo investing with cryptos, please stick to altcoins.

Anyway, I went "pro" (read: weird) with my own gonzo investing about a week ago by purchasing a water-worn Siberian nephrite jade cobble from a vendor on Etsy.  Jade is a wonder material - a substance that is somehow both eminently tangible and mysteriously ethereal all at once.  Venerated for thousands of years by the Chinese, Maori and ancient Meso-American peoples, jade has been sacred to every culture that had the good fortune to develop in geographical proximity to high quality deposits of the stuff.

The gem quality nephrite jade cobble I bought is a phenomenal specimen.  The soft, waxy luster of the 125 gram off-white river cobble is breathtakingly seductive.  The piece is such a fine example of a river jade that it is probably worth more as a mineralogical specimen than it could ever be as jewelry.

A pure white, known as mutton fat, is the most desirable and expensive type of nephrite jade in the world.  True mutton fat jade can sell for more than $50,000 a kilo.  The stone I acquired is off-white in color - most decidedly not mutton fat - but then again I only paid around $900 a kilo for it.  So I have no complaints.

But let's face it: using Etsy as a substitute for a brokerage account is a strange experience.  This is definitely gonzo investing at its finest.

Gone are the days when you could mindlessly dump your money into an S&P 500 Index fund or corporate debt ETF and expect non-negative future returns.  Savings accounts pay next to no interest.  Real estate is a minefield due to COVID-related rent moratoriums and the related collapse in demand for corporate office space.

What are we left with?

Bizarre, strange stuff, that's what.

The investment landscape is so distorted that we need to be willing to invest in things we might never have considered under more financially stable circumstances.

As a result, gonzo investing is the new black.  Not because we want it to be, but because the central bankers of the world have left us no choice in the matter.

When I was browsing on Etsy recently, I came across this gonzo worthy investment: a lot of eleven vintage fountain/ballpoint pens selling for a grand total of just $125.  Highlights of the group include a circa 1960s to 1980s Parker fountain and ballpoint pen set, a higher-end vintage Waterman pen (according to the seller; the pictures aren't clear enough for me to tell which one it is), and a 1930s or 1940s Sheaffer fountain pen with its original desktop stand and solid 14 karat gold nib.

 

Etsy Vintage Pen Lot

A lot of 11 vintage fountain/ballpoint pens listed for sale on Etsy.

Photo Credit: OtherPeoplesStuf

 

There is more than enough in this lot to keep a vintage pen aficionado happy for quite some time.  I also have a sneaking suspicion that several of the pens may have solid karat gold nibs (beyond the one I verified).  This means you could potentially recover most of the purchase price in intrinsic gold value!  Of course, any vintage fountain pen collector worth his salt would instantly offer you 2 or 3 times melt value for any old gold nibs if you were inclined to sell.

Regardless, most of these pens would be worth much more restored to their former glory than they would be parted-out (provided they are in any kind of reasonable condition).

Now some people may hold the opinion that vintage fountain pens aren't much of an investment, but consider this.  They represent the romance of a time gone by that we all yearn for.  More and more people are becoming interested in reclaiming the small joys of the analog past in a world increasingly dominated by sterile digital interactions.

The supply of vintage fountain pens is also strictly limited.  They sure aren't making any more!

Although originally produced in sizable quantities, attrition has steadily eroded the population until only a small remnant survives today.  And as we all know, limited supply and high demand equals rising prices.  Buying vintage fountain pens is definitely gonzo investing at its weirdest - and I mean that in the best possible way.

Another slightly unhinged gonzo investment that I made earlier this year was the purchase of a 2021 Saint-Gaudens "$100 Union" silver fantasy coin in proof-like condition by Daniel Carr.  Although dazzling in its own right, the piece bears a striking resemblance to the famous Saint-Gaudens gold double eagle $20 gold coin that was struck by the U.S. Mint from 1907 to 1933 - a series widely regarded as one of the most beautiful U.S. coins ever struck.  This is because Carr's unique winged Liberty design was derived from an early sketch concept of American artist Augustus Saint-Gaudens' namesake double eagle gold coin.

 

Dan Carr Silver Union vs Saint-Gaudens Double Eagle

Daniel Carr's $100 "Union" silver fantasy coin side-by-side with its inspiration: the Saint-Gaudens $20 gold double eagle.

Photo Credits: Wikimedia Commons and The Moonlight Mint

 

As a fantasy issue, the silver $100 Union's face value is strictly symbolic; it is in no way legal tender.  But if anyone ever offers to trade you one of these magnificent pieces of exonumia for a crisp C-note, take them up on it!  The massive coin weighs in at an astounding 100 grams of .999 fine silver and has a diameter of 50 mm (much larger than either a U.S. silver dollar or a gold double eagle).  To add to its allure the $100 Union is struck in gloriously ultra high relief; in effect it dances on the border between coin and sculpture.

I ordered this fantasy masterpiece directly from Daniel Carr's Moonlight Mint website at a cost of $240 (plus $10 shipping).  That translates into a price of almost $80 an ounce - fully 3x the spot price of silver bullion at the time of purchase.  Although it seems like an outrageously high premium to pay over melt value, there is a lot to like about these coins.

Daniel Carr struck the silver $100 Union fantasy piece for a limited three year run: 2019, 2020 and 2021.  Each of those years had a mintage of only around 100 pieces.  If you had purchased all three at Mr. Carr's original issue price it would have cost you $625 in total (plus shipping).  Due to the fact that only about 100 sets could ever be completed, it is easy for me to envision a time 25 or 30 years in the future when a complete set of these unique coins sells for 10 or 20 times the original issue price.

This is gonzo investing par excellence.

Unfortunately, Carr's silver $100 Union silver fantasy coins are sold out in his shop and therefore only available in the secondary market through venues like eBay.  If you are interested in reading more about Daniel Carr and his Moonlight Mint fantasy coins, I wrote an in-depth investment guide on the topic recently.

 

Daniel Carr Fantasy Coins & Overstrikes for Sale on eBay

 

Long-time readers of my site may have noticed my budding obsession with jade.  In true gonzo investment style, I have been building myself a rough jade portfolio over the last couple of years.  I will happily admit that this is a very unusual investment position to be taking.

But there is sound logic behind it.

Our financial system is swirling around the toilet bowl of history at present.  We don't know when the flushing will truly commence, but it is coming.  This will not only permanently restructure our monetary and corporate systems, but also our global supply chains.  In other words, the world will become much less connected by trade than it currently is.

Deglobalization is coming.

Much of the nephrite jade I've been accumulating originates from Siberia.  Most of these deposits are found to either the northeast of Lake Baikal in the Stanovoy Range or to the southwest of the lake in the Sayan Mountains.  This is incredibly remote backcountry.

Nephrite gradually weathers out of its host rock in the mountains over the course of countless millennia.  These newly freed jade nodules then wash into mountain streams and rivers where they are subjected to relentless wear and polishing from constantly flowing water.  Lesser materials are pounded into clay and sand - indeed almost all foreign matter associated with the jade is stripped away.  What is left are tough, compact water-worn cobbles of the highest quality Siberian nephrite.

Then some intrepid Russian jade prospector has to hike deep into the wilderness looking for that one in a million jade pebble sitting in an ice cold mountain stream.  He can do this for perhaps three months during the summer before the onset of colder fall weather puts a stop to his efforts.  Assuming he isn't rich enough to rent a helicopter (and he probably isn't), he must haul all those kilos of jade cobbles back to civilization using nothing but his legs.  This part of Siberia has few roads and little infrastructure of any kind.

Finally, if you pay him a pittance (usually just a few hundred dollars, give or take), he will happily ship a beautiful, satiny jade pebble straight to your door.

This is what I'm after - all of the treasure with none of the fuss.  Welcome to the world of gonzo investing.

However, it isn't hard to see how this mutually beneficial arrangement will all come to a screeching halt one day in the not so distant future.  First, there is a well-established pattern in jade mining where secondary deposits (usually alluvial - river - in nature) are mercilessly exploited until no more can be found.  This has already occurred in Wyoming, British Columbia, western China and Burma.  Siberia and Guatemala are currently in the process of being mined out.

 

Siberian Nephrite Jade River Cobbles for Sale on Etsy

 

Of course, once the secondary deposits are gone, prospectors can still mine the primary (hard rock) deposits.  But this is a very expensive proposition.  It requires massive amounts of mechanized equipment and well trained crews.  In addition, the jade extracted will often be of lower quality because the less-desirable material won't have been eroded away by nature yet.

The next problem is one of international trade.  COVID has shown us that our Gold Rubergesque, just-in-time global supply chain was a ticking time bomb.  Although it will be a painful and slow process, I'm certain that supply lines will inevitably become more regional in the future (probably continent-wide versus our current worldwide).  So one day the parcels full of wonderful treasures straight out of the Siberian wilds will probably cease to arrive at my local post office.

But until that day comes, I will continue to be a gonzo investor.  And you should be one too.

 

Read more thought-provoking Antique Sage editorial articles here.

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Read in-depth Antique Sage investment guides here.


Market Crash – Waiting for the World to Fall

Market Crash - Waiting for the World to Fall
Photo Credit: Orange County Archives

We are currently living through the largest financial bubble in the history of mankind.  Stocks, bonds, real estate, private equity, crypto-currencies, and even some collectible categories are all grossly inflated in value.  Our current financial mania is broader in scope and larger in magnitude than the 1990s Dotcom bubble, the 1720s South Seas bubble, the 1980s Japanese Nikkei bubble, the 1920s Dow Jones bubble or the 1630s Dutch Tulipmania.

It is the perfect setup for a devastating market crash.

Now I understand full well that making predictions about the financial markets is a quick way to become a liar.  They are so unpredictable that you can simply never say never.  And indeed, what reasonable person would have thought that the U.S. stock market would exit the 2008-2009 Great Recession - the worst economic contraction since the Great Depression of the 1930s - and then proceed to bloom into the greatest financial apostasy of all time?

I have to admit that I didn't see it coming.

Of course, the real question is where do we go from here?  The conventional wisdom is that we've entered a new era of perpetually rising asset prices.  Stock market indices, real estate markets and crypto-currencies of all types will simply waft forever higher on their own smug sense of self-satisfaction, while their owners become rich, rich as Nazis I tell you!

Reality, however, is a harsh mistress.

I suspect that rather than spiraling higher into the financial stratosphere over the next few years, we are much more likely to experience a destructive market crash, or a series of lesser market crashes.  The historical parallels and mathematical realities governing our current predicament are just too brutal to have a happy outcome.

But why would I forecast a market crash when such events are rare throughout financial history.  Is our current "Everything Bubble" really that bad?

In a word, yes.  The Everything Bubble is so enormously overvalued as to be obscene.

For example, the S&P 500 index sports a sky-high price-to-sales ratio of 3.21 as of July 2021.  From the late 19th century right up until 1995 this ratio averaged around 0.8.  Since the Fed began blowing serial bubbles starting in the mid 1990s, the S&P 500 has averaged a somewhat higher ratio of around 1.5.  But this still pales in comparison to the 3.21 price-to-sales figure the index currently enjoys.

A 50% haircut in the major U.S. markets would barely bring this ratio down to an "elevated" average.

I like using the price-to-sales ratio as opposed to price-to-earnings ratios for a couple reasons.  First, sales tend to be far less volatile than earnings.  It isn't unusual during recessions for earnings to turn negative, but sales rarely drop by more than 10% or 15%, even in highly cyclical industries.  This makes movements in the price-to-sales ratios far more subdued, which in turn gives the observer a much clearer view of the economic fundamentals.

Earnings are also subject to a tremendous amount of hype and fluff.  For instance, companies will often tout misleading EBITDA (earnings before interest, taxes, depreciation and amortization) or operating earnings (sometimes known as EBBS or "Earnings Before Bad Stuff") to pump up their quarterly numbers.  And it is difficult to know whether the P/E ratio you're looking at is using trailing 12-month GAAP, forward 12-month estimated GAAP, trailing 12-month operating or forward 12-month estimated operating earnings in its calculations.  No such confusion exists with price-to-sales numbers, which always use the actual trailing 12 month values.

Finally, it is far easier for an unscrupulous company to alter its earnings in a fraudulent manner than it is to fake sales data (although both can happen).

Looking at a chart of the S&P 500 index's price-to-sales ratio is enough to induce vertigo.  Being a valuation metric, this ratio should lazily meander around a perfectly horizontal average with relatively modest variation on either side.  Instead we see an ascent on Mt. Everest, with the ratio blasting off from the COVID 2020 lows in a nearly vertical manner.  These sorts of blow-off top moves are a hallmark of late stage asset bubbles and nearly always resolve in a market crash.

 

S&P 500 Index Price to Sales Ratio

A chart showing the S&P 500 Index's Price to Sales Ratio from 2001 to 2021.

Photo Credit: multpl

 

Another key indicator flashing red is the market cap of all U.S. stocks and bonds outstanding compared to GDP.  Much like the price to sales ratio above, this valuation metric is very, very reliable.  I first wrote about this important barometer back in 2018, but since that time it has gone completely bonkers.

As of Q1 2021 the total U.S. securities outstanding-to-GDP ratio stands at an unprecedented 565%, having risen sharply in just the past year.  But before 1991, the ratio had never risen above 200%.  Indeed, even during the very worst of the 2000 Dot Com bubble and 2007 Housing bubble the ratio never surpassed 380%.

This valuation measurement is so important because it not only takes into account the stock market, but also the bond market.  In fact, the well known Buffett ratio, which tracks the total market cap of U.S. stocks compared to GDP, is just a subset of this valuation metric!  But the total U.S. securities outstanding-to-GDP ratio is a more holistic tool than the Buffet ratio in isolation.  Every time a barely solvent company issues an ugly looking CCC-rated junk bond or a unicorn technology startup goes public, it is reflected in this all encompassing ratio.

To call total U.S. securities outstanding-to-GDP's current level repugnant is an understatement.  If we were to return to the historical norms that prevailed pre-1990, both the stock and bond market would have to take a combined 73% loss.  And because stock investors sit in a first loss position vis-à-vis bond investors, it implies a truly disastrous Depression-level event for equity indices - potentially an 85% or 90% market crash!

Either that or we avoid a market crash via hyperinflation.  Fun choice!

 

Total US Securities Outstanding to GDP chart

 

But hyperinflation - a crutch leaned on by far too many financial pundits these days - is an unlikely outcome, even against a backdrop of trillion dollar deficits and an ever expanding Federal Reserve balance sheet.

Under more normal economic circumstances, high inflation would mean rapidly growing nominal GDP and falling real debt loads.  This would make equities a more enticing proposition versus bonds because companies have an implicit inflation-adjustment mechanism - they can just raise prices for their products (if the market will bear it)!  These increased prices lead to additional revenue and earnings for firms in a persistently inflationary environment.

Market crash averted, right?

Not so fast.  The problem is that empirical observations of both U.S. and foreign economies do not reveal much evidence of inflation (excepting the temporary post-COVID spike).

Instead we see a troubling pattern where each successive recession leaves corporations, governments and average citizens more heavily indebted than before.  As the economy gradually becomes debt-saturated, more and more resources are diverted to paying the interest on these crushing obligations.  Consequently, non-essential economic activity slowly gets choked off leading to loss of pricing power, stagnant wages and disinflation, not inflation.

We can verify this by looking at a chart showing year-over-year nominal U.S. GDP growth rates over the last few decades.  I've added trendlines in red to show the average growth rate during periods of economic expansion.  The evidence is unambiguous - average nominal growth has been lower in every successive expansion since the United States cut the dollar's last link to gold in 1971.

The Financial Crisis of 2008-2009 was particularly damaging, with nominal GDP averaging 5.3% before the crash and only 3.7% afterwards.  It is anybody's guess just how low average nominal GDP will go in the aftermath of the COVID recession.  But there is at least one indisputable conclusion we can reach: absent massive changes to existing fiscal/monetary policies, nominal U.S. GDP will be lower over the course of the current expansion than the miserly 3.7% rate it achieved during the last expansion.

 

Average Nominal US GDP Growth during Expansions

 

Persistently low growth and future disinflation does nothing to mollify fears of an imminent stock market crash.

Although I've peppered you with a multitude of frightening looking charts, one does have to exercise a degree of caution with valuation tools.  They can't be used to time markets.  There have been countless instances when an already overvalued market simply ignored reason and became even more overvalued.  And there is nothing to say it couldn't happen this time either.

But there are signs everywhere that this market cycle is far advanced, stumbling ever closer to a treacherous peak than any sort of harmless trough.

The first exhibit in our menagerie of speculative excess is the crypto-currency market.  Bitcoin, of course, needs no introduction, but it is the other, lesser cryptos that I would like to focus on for a moment.  These less well-known - although perhaps more infamous - crypto-currencies are often collectively termed "shitcoins" by a skeptical crypto community.

I measure speculative fervor in the crypto-currency space via two methods.  The first is the total market cap of all cryptos put together.  Because the space is dominated by Bitcoin, that particular token constitutes the bulk of outstanding market cap (usually between 40% and 70% of the total).  Aggregate crypto-currency market cap peaked in May of 2021 at an astounding $2.5 trillion.  To put this amount into perspective, it is believed that all of the above-ground gold in existence is worth perhaps $10 or $11 trillion.

Although the total market cap metric is quite useful, it has limited applicability with regard to shitcoins because they tend to have small market caps relative to Bitcoin, Ethereum, Tether and the other big boys.

That is where my other measurement tool comes into play - tracking the number of cryptos that have individual market caps greater than $1 billion.  In spring 2021 we hit 105 cryptos - mostly shitcoins - with a market cap of at least $1 billion.  This includes illustrious and desirable virtual currencies such as Ox (ZRX), Avalanche (AVAX), THORChain (RUNE) and my personal favorite, SushiSwap (SUSHI).  BakeryToken (BAKE) was a close second.  With names like these, how could you not be assured of great future wealth, honor and surgically enhanced women hanging off every arm?

That last sentence was sarcasm, by the way.  In reality, the price action we are seeing in shitcoins is a classic sign of financial mania.

 

Gold Bullion Coins for Sale on eBay

 

The speculation in the crypto-currency space has become so extreme that otherwise intelligent people are "investing" in shitcoins that they know are probably fraudulent because the allure of easy money is simply too great.  Bloomberg recently ran a great article on the topic titled "Crypto Scammers Rip Off Billions as Pump-and-Dump Schemes Go Digital".

Here are a couple money-quotes from the article:

 

"'Everybody I know has gotten rug-pulled [been the victim of a pump-and-dump scheme],' says Titus, a 38-year-old butcher in Salem, Oregon.  'You know, you win some, you lose some.  Hopefully, win more than lose.'"

 

"Many who feel they’ve been ripped off just shrug. They chalk it up to the cost of doing crypto, the price of buying a lottery ticket that maybe just might hit that big jackpot."

 

My God, is humanity dumb.  We keep repeating the same financial mistakes again and again, apparently forever.

Fortunately (or maybe unfortunately, depending on your viewpoint), this intensity of speculative fervor can't persist for very long.  The crypto space will either have to continue delivering amazingly high returns (even taking into account all of the pump-and-dump schemes), or it will implode in on itself in spectacular fashion (while taking many peoples' savings with it).

In any case, a future market crash is assured; it is merely the timing that is uncertain.

Another area where we see speculative price action reaching a frenzied peak is in that old favorite of market gamblers everywhere: the S&P 500 Index.  I've created a chart showing the S&P 500 from the spring of 2009 (which was the bottom after the Great Financial Crisis) to July 2021 (the latest data available).  I then segmented the chart into 5 distinct rallies during that 12 year period.  Finally, I drew a linear trendline in red through each separate rally.

 

S&P 500 Rally Trendlines

 

The results are stunning.

It shows that each successive resurgence in the S&P 500 during the recent bull market has enjoyed a steeper slope than its immediate predecessor.  As "investors" (I put that term in quotation marks because they are really gamblers) become more assured that the stock market is a perpetual escalator up, they buy the next dip more aggressively.  As a result, each subsequent rally is more extraordinary than the previous one.  It is true that each runup in stocks is interrupted by a brief sideways market action or minor decline, but this merely serves as a prelude to the next dramatic ascent.

When you zoom out, it is clear that the entire edifice takes on the appearance of an exponential curve - a hallmark of financial market manias spanning the ages.  Perhaps most worryingly, the trendline angle of our current rally is well in excess of 70 degrees - a thoroughly unsustainable angle of attack.  For all you geometrically challenged people out there, a 90 degree rally would be perfectly vertical.  This doesn't mean we can't have another market drawdown or consolidation followed by an even more extreme melt-up, but such an outcome is cosmically improbable.

Instead it is far more likely that our speculative mania reaches its natural endpoint and swan-dives into a magnificent market crash - Fed be damned!  Few financial market participants are prepared for an event of this magnitude.

The final area where speculation has exploded within the past couple of years is certain niches within the collectibles market.  Magic the Gathering cards, comic books, modern sports cards, video games, sneakers and Pokémon cards are all collectible categories that have experienced frenzied trading and price increases.  Although an important catalyst for these moves was undoubtedly the spring 2020 lockdowns associated with COVID-19, pricing has since taken on a life of its own.

For example, a 1993 Magic the Gathering Black Lotus (alpha) card is more than $50,000 in the summer of 2021, a 300% increase from its price just 3 years ago.  A 1999 Pokémon Charizard Holo 1st Edition certified PSA 10 is $350,000, a nearly 800% increase over the same time.

Meanwhile, in the world of vintage video games a factory sealed, Wata 9.8 certified copy of 1996's Super Mario 64 for the Nintendo 64 console brought a cool $1.56 million in a July 2021 auction.  And that record-breaking sale eclipsed a Wata 9.0 certified early production run Legend of Zelda Nintendo game cartridge from 1987 that had sold for $870,000 just days earlier.

The speculative excess in these collectable categories is truly breathtaking.

 

Magic the Gathering Black Lotus Card Price Chart

Here is a chart showing climbing market prices for a Magic the Gathering Black Lotus card (alpha).

Photo Credit: MTG$

 

If you read my website at all, you know I'm a proponent of using fine antiques as an investment vehicle, but that enthusiasm does not extend to the collectible space.

The collectibles that are skyrocketing in price are largely made of plastic, paper and cardboard.  Most can't even be used for their originally intended purpose without destroying their value as collectibles.  They are nothing like the antique jewelry, sterling silverware, old coins and other high value objets d'art that I recommend savvy investors accumulate.  These venerable antiques are made from some of the most enduring, desirable substances on earth - stuff like gold, silver, gemstones and exotic woods.

I would also like to point out that the piranha-like price action in the vintage collectibles space is tightly confined to those items from the 1980s, 1990s and early 2000s.  This is not a coincidence.  I believe that collectibles from this time period are shooting up in price for one very good reason.

The Millenials in their 20s and 30s who are speculating on these items have never seen a real market crash in their adult lives.  The last truly significant market decline was the 2008 to early 2009 timeframe.  Since that time, the Federal Reserve's Everything Bubble has persistently risen regardless of the macroeconomic backdrop.  Young people - anyone below the age of about 35 or so - have come to believe that bursting bubbles and crashes are myths told by old investors to scare them out of the markets.  They have also conflated gambling with investing due to having no point of reference for what a normal, reasonable market looks like.

In contrast, most collectibles from the 1960s and 1970s - Hot Wheels cars, Barbie dolls, PEZ dispensers, Hummel figurines, etc. - are dead in the water.  These older collectibles have seen effectively no price bump at all during the last few years.  In fact, their prices have been declining!  I attribute this to the fact that older collectors who would normally be buying these items are too experienced to fall for the ridiculous arguments about never ending demand and perpetually rising prices.

We are in the midst of the greatest investment mania of all time.  But as euphoric as investors, speculators and gamblers in various asset markets are today, there are sure to be tears tomorrow.  A market crash is coming.  I can't tell you when and I can't tell you how, but it is coming.

I will leave you with a quote that famed economist Roger Babson made in a speech on September 5, 1929, just weeks before the Dow Jones bubble burst:

"Sooner or later a crash is coming, and it may be terrific."

I believe we are living in similarly dangerous times.  Protect yourself.  Buy cheap assets like precious metals and high quality antiques.  Make certain to hold large cash reserves.  Don't use leverage.  A market crash may be frightening, but you can survive it if you act now.

 

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