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The History and Romance of World War I Trench Watches

The History and Romance of World War I Trench Watches
Photo Credit: slake25
This beautiful World War I trench watch has a sterling silver case with import hallmarks from the London Assay office (circa 1918) and a 15-jewel Longines movement.  The dial bears the mark of the retailer - J.C. Vickery of London - instead of the watch manufacturer, which was common for the time.

Our story about trench watches begins, oddly enough, back in the mid-1990s when I was still in high school.  Unlike most high school students of my time (or any time for that matter), I loved antiques.  Happily, my grandmother also loved antiques.  So we would often take Saturday expeditions together to the nearest flea market, antique store or junk shop in search of that next great vintage treasure.

One weekend, my grandmother and I visited an antique shop that we both enjoyed frequenting - Three Sisters and Me.  Now long defunct, at the time this antique store was an eclectic mix of country primitives, odd Victorian pieces and vintage kitchenware.  My grandmother and I loved digging through the shop's nooks and crannies, picking up whatever struck our fancy.

While browsing through its dusty shelves, I came across a plastic Ziploc grab-bag of vintage jewelry with a $5 price tag.  Now most of the items in this lot were costume jewelry or cheap trinkets - exactly what you'd expect for something priced at only a few dollars.  But I saw enough sterling silver items in the grab-bag to pique my interest.  If nothing else, I would be able to scrap the contents and make myself a small profit.

So with my grandmother's encouragement, I laid down a five dollar bill on the shop counter and became the happy new owner of an odd, if not intriguing bag of junk jewelry.  It was only later on when I was back at my grandmother's house that I discovered the secret treasure that bag held.

As I dug through my newfound entertainment for the afternoon, I saw it - a World War I era Waltham trench watch.  It featured a sterling silver "Admiral Benson" cushion-shaped case with wire lugs and an onion-style, fluted winding crown.  Despite not keeping time, the watch's 15-jewel, manual-wind Waltham movement was still a miniature work of art.  The white enamel military dial, although cracked with age, still retained its original skeleton hands - complete with traces of radium lume!  The 6 o'clock sub-seconds and red 12 o'clock marker enhanced the dial's bold, yet elegant Arabic numerals.  You simply knew that this piece, like so many other trench watches of its era, had been the prized possession of some unnamed Allied soldier on the Western Front.

Unfortunately, this story has a sad ending.  Due to my own ignorance and the folly of youth, I chose to scrap this amazing trench watch for its silver content.  After I carefully inspected the piece, I came to the determination that the watch's defects were too great to justify the expense of a full restoration.  Its crystal was missing.  The case lugs were slightly bent.  The movement was both rusty and non-functional.  And the enamel dial had significant damage.

I have regretted that decision for the last 25 years of my life.  And I will probably regret it for the next 25 years, as well.

My remorse isn't due to any financial loss incurred, although that is part of my cautionary tale.  If fully restored (at the cost of perhaps a few hundred dollars), I estimate that my $5 trench watch would be worth between $500 and $1,000 today.  No, I regret it because my poor decision represents the loss of yet another irreplaceable piece of World War I horological history.

 

Antique World War I Era Trench Watches For Sale on eBay

 

Although made by the millions for the greatest war the world had ever known up until that point, trench watches are incredibly rare today.  Untold numbers were lost or blown up on the battlefield, thrown out when fashions changed or allowed to rust away over the course of the last 100 years.  As proof, a search for the term "trench watch" on the popular online watch site Chrono24 returns just 33 results out of over 474,000 watches for sale in total!

Frankly speaking, it is a wonder that any of these historically important World War I artifacts have survived intact for today's vintage watch connoisseurs to enjoy.  But before I speak further about the details of trench watches, a short history lesson is in order.

 

The Great War

At the opening of the conflict in August 1914, the British diplomat Sir Edward Grey famously remarked that "The lamps are going out all over Europe; we shall not see them lit again in our lifetime."  And in their place sprang up the bonfires of war, with all its accompanying horrors: disease, famine and deprivation.

The war split the great European powers into two opposing factions.  On one side was the Entente (also known as the Allied Powers) - Great Britain, France, Russia and, later in the war, Italy and the United States.  On the other side stood the Central Powers - Germany, Austria-Hungary and the Ottoman Empire.  Millions of young men from these countries (and many other smaller belligerents) dutifully marched off to war when called to serve.

But the realities of modern warfare circa 1914 were quite different than anyone had expected.  Military men and politicians on all sides had almost universally predicted a short, glorious war dominated by the Napoleonic cavalry charges of the early 19th century.  However, the invention of the machine gun in the late 19th century had largely invalidated traditional military tactics when no one was looking.

As a result, World War I quickly devolved from dynamic cavalry battles to static trench warfare.  Conditions were almost unbearably awful for all participants.  Soldiers lived in a maze of zig-zagging trench systems intended to provide interlocking fields of fire while also minimizing the concussive force and shrapnel damage from the inevitable lucky artillery round.  Mud, often ankle-deep and ice cold, was an omnipresent problem in these trenches - so much so that the malady known as "trench-foot" quickly entered the popular lexicon of the day.

 

No Man's Land - Flanders Field - Final

The worst part of the war for the average infantryman wasn't the trenches, as horrid as those could be.  No, it was the death that awaited them outside the trenches when they were ordered "over the top" for a mass charge into the enemy's waiting machine guns.  In between the two opposing trench systems lay "no man's land" - a cratered, treeless moonscape filled with barbed wire that could easily be raked by enemy machine gun fire or bombarded with artillery shells.  Snipers, hand grenades and (later in the war) poison gas rounded out the omnipresent dangers on a World War I battlefield.

In spite of these travails most soldiers performed admirably, bravely charging into no man's land on the orders of their commanding officers.  A common saying at the time about the British army was that it was "lions led by donkeys".  This refers to how the British generals, like Douglas "Butcher" Haig, repeatedly ordered bloody charges across no man's land, unmoved by their apparent futility.

 

Every Second Counted on the World War I Battlefield

In this grim new world of trench warfare, timing was paramount.  A handful of seconds might be the only thing separating a soldier from life - and a jubilant homecoming - and death - just another corpse on the battlefield.

For example, if a commander ordered his unit over the top a mere 15 or 20 seconds too early during an infantry assault, the outcome was often total annihilation for the unfortunate group.  Enemy machine gunners would naturally target any isolated unit out in no man's land and wipe it out.

Seconds also counted for a new artillery strategy introduced during World War I called the creeping barrage.  In this new tactic, a volley of artillery fire was laid down on enemy position.  But instead of being static like artillery fire was early in the war, the creeping barrage methodically "walked" the rounds through no man's land, then through the enemy's perimeter defenses before finishing deep in the enemy trench system.

In order for the creeping barrage to be effective, friendly infantry forces had to charge just behind the incoming shells.  This meant that they would arrive at the first line of enemy trenches just as the barrage "walked" further into the enemy lines.  By using this technique, infantry soldiers could (in theory) avoid the murderous volley of machine gun fire that normally cut units to ribbons in no man's land.

But in order to work, the timing of the creeping barrage had to be absolutely perfect.  If you charged out of your own trench line too soon, you would be torn to shreds by your own artillery fire.  If you waited too long, the enemy infantry that had taken cover during the artillery salvo would have time to come out of their bunkers and man their machine guns nests while you were still traversing no man's land.

And of course, it wasn't just the common infantryman who needed to know the time down to the second either.  Everyone from staff officers to pilots were dependant on a reliable watch in order to be able to coordinate the tremendous complexities of a modern war waged on an unprecedented, global scale.

So for a military man during World War I, a good watch was an absolute necessity.  But the old style pocket watches that had dominated fashion up until 1914 were ill-adapted to the demands of this new type of warfare.  A pocket watch required two hands to operate efficiently.  Removing the watch from a pocket occupied one hand, while opening the watch face (if it was a hunter case), winding it, or resetting the time used a second hand.  This situation was unacceptable to fighting men who not only needed to be able to reference the time quickly and easily, but also needed to have their rifles in hand at all times.

 

The Advent of the "Wristlet"

The natural solution to this problem was the wristwatch, or wristlet as it was often called at the time.  Now, wristwatches weren't invented during World War I.  They had already existed for a number of years, albeit as a relatively uncommon style of timepiece with effeminate connotations.  In other words, wristwatches were widely considered to be a woman's watch prior to 1914.

World War I trench watches both masculinized and perfected their predecessor wristlets.  Initially, the trench watch took the form of a conventional pocket watch with wire lugs attached at the 6 and 12 o'clock positions (or, alternatively, the 3 and 9 o'clock positions) to allow for the attachment of a leather strap.  This facilitated wearing the watch on the wrist - hence the name wristlet.

But watch manufacturers soon found that certain modifications were needed in order to get the most out of this radical new watch design.  One of the first changes was the relocation of the winding crown from the 12 o'clock position (where it resides on most pocket watches) to 3 o'clock, where it remains to this day on nearly all wristwatches.

The addition of radium lume to the watch hands and numerals on the watch face also proved to be indispensable.  Radium is a naturally radioactive element which, when combined with zinc sulfide, produces a glowing, phosphorescent material that could be applied like paint.  Radium lume enhanced trench watches were a boon on the battlefield, where it was common for soldiers to need to precisely know the time in preparation for night actions.

As an added bonus, although the glow from a radium lume dial was easy to make out for the watch's owner, it was much too faint to be visible to enemy snipers hundreds of yards away.  This was in stark contrast to lit matches, which gave away the position of many an unfortunate soldier during the war.

Trench watches also had to overcome the rough realities of battlefield conditions.  Dust, mud and water were omnipresent hazards in trench warfare.  As a result, many watch manufacturers dedicated substantial resources to making their trench watches as dust-proof and moisture-resistant as possible.  They soon discovered that screw-back cases were generally superior to hinged-back or snap-back cases in terms of water and dust resistance.  However, plenty of hinged-back and snap-back trench watches were manufactured during the Great War due to their reduced complexity and lower cost.

Borgel Screw-Back Case Exploded

One of the best known and most highly prized of the World War I era, water-resistant trench watch cases is the Borgel case.  First patented by François Borgel in Geneva, Switzerland in 1891, the Borgel case was a screw-back case design that proved to be ideally suited to the rigors of trench warfare.

It should be noted, however, that although Borgel screw-back cases were relatively water-resistant by early 20th century standards, they are not water-proof by modern standards.  Please don't wear your 100 year old trench watch in the pool, shower or Jacuzzi, as you are likely to ruin a wonderful timepiece!  True water-proof watches didn't come into existence until the creation of the legendary Rolex Oyster in 1926.

Another issue that trench watches had to overcome was the propensity of their glass crystals to shatter.  This was especially problematic due to the ubiquity of artillery salvos on the battlefield.  Exploding shells would not only send primary shrapnel in all directions, but could also spawn secondary shrapnel - fragments of wood, steel or even bone dislodged from anything sitting close to the initial explosion.  Secondary shrapnel had a lower velocity than primary shrapnel and was, therefore, less likely to cause mortal wounds.  But it could still easily break the glass crystal on a soldier's trench watch, rendering it inoperable at a critical moment.

Watch manufacturers solved this problem in two ways.  First, they equipped traditional mineral glass crystal watches with shrapnel guards - a cut-out metal grille that protected the watch face while still allowing the user to tell the time.  With their battlefield connotations and iconic styling, trench watches with shrapnel guards are cherished by both militaria collectors and military watch aficionados alike.

The second way that watchmakers improved the survivability of trench watches was through the development of the so-called "unbreakable crystal".  These were watch crystals made from clear celluloid plastic instead of the normal mineral glass.  Contrary to the name, unbreakable crystals weren't truly shatter-proof - just much more robust than mineral glass.

Celluloid, the world's first thermoplastic, was originally commercialized in the 1860s and 1870s.  However, this wonder-material wasn't patented for use in watch crystals until 1915, coming to market one year later in 1916.  Unfortunately, celluloid is unstable over long periods of time, with a tendency to yellow and warp.  Therefore, as a rule, surviving trench watches don't retain their original unbreakable celluloid crystals.

 

Trench Watches for the Troops

Trench watches were in huge demand throughout the duration of World War I.  Millions of troops on all sides of the conflict desperately wanted - no, needed - to have a wristwatch in order to be better soldiers.  But with the exception of select signal corps members, wristwatches were not issued as standard military kit - a soldier was expected to buy his own.

Trench Watch Advertisement 1

The problem was that a good trench watch was expensive!  Period advertisements show that the lowest price a British soldier could realistically hope to pay for a wristwatch was somewhere around £2.  Better quality timepieces with more features often retailed for between £4 and £5.  If you wanted something truly extravagant, like a solid karat gold case, you could expect the price to be even higher.

To put these sums in perspective, the average British infantry private received a meager salary of 1 shilling a day during the Great War - only £1.5 per month.  So a trench watch was beyond the reach of most enlisted men.

British officers, on the other hand, were much better paid than their subordinates.  A British infantry lieutenant could expect to draw a princely salary of 8 shillings, 6 pence a day, or £12.75 per month - more than 8 times what a private earned!  So the officer corps - lieutenants, captains, majors and colonels - constituted the main source of demand for trench watches during the conflict.

This didn't stop average enlisted men from coveting trench watches, though.  Some members of the lower ranks received wristwatches as gifts from friends or family, while others scrimped and saved in order to be able to afford one.  A considerable number of trench watches were also "liberated" from captured enemy soldiers or even looted from corpses strewn about the battlefield.  A wristwatch might also be gambled or bartered away during the exigencies of war.

 

Trench Watch Characteristics

Trench watches were produced by every major watch company of the time and probably all of the minor ones too.  Established Swiss and American firms had the highest production volumes, with other makers contributing smaller numbers.  Some of the brands commonly seen among antique trench watches include modern-day heavyweights like Omega, Rolex and Longines.  The primary American makers were Waltham, Elgin and Illinois.  Other notable manufacturers were Zenith and Cyma.

Because wristwatches were just emerging prior to World War I, watchmakers of the time didn't use special, wristwatch-specific movements for trench watches.  Instead, they adapted existing pocket watch movements and simply implanted them into wristwatch cases.

Trench Watch Advertisement 2

These movements were usually smaller, women's-sized pocket watch movements (such as 3/0s, 0s and 6s) out of necessity.  However, larger movements housed in over-sized cases (generally between 36 and 39 mm in diameter) were occasionally used.  15 or 17 jeweled movements were common in higher quality trench watches, while cheaper, more pedestrian examples would typically employ lower-jewel movements.  Seconds functionality was also highly prized in a military-grade trench watch - usually sub-seconds at the 6 o'clock position.

Trench watch cases were generally made from the same materials as pocket watches of the time.  An expensive solid karat gold watch might grace the wrist of a senior officer, while gold-filled or sterling silver examples would be more common among junior officers.  Steel or nickel-alloy base metal cases were also produced for soldiers looking for the cheapest, most utilitarian option available.

Trench watches almost always had either black or white enamel dials, or some combination of the two.  White enamel dials, in particular, were ubiquitous, often with radium outlined or enhanced hour markers and/or numerals.  This allowed maximum contrast between the numerals and the background, which was vital to easily telling the time during the chaos of combat.

While both Roman and Arabic numeral dials can be found on trench watches, the latter tend to dominate.  This is because Arabic numerals are easier to read at a glance under difficult conditions, with little possibility of confusion.  In addition, some watch manufacturers highlighted or outlined the 12 o'clock number (regardless of whether it was Roman or Arabic) in red to help soldiers remained oriented.

 

Trench Watches After the Guns Fell Silent

At the end of World War I in November 1918, blessed peace came once again to Europe.  Workers returned to their factories.  Farmers returned to their land.  And soldiers returned to their wives.  But the world of watches had changed forever.

Old style pocket watches, which had dominated timekeeping for more than a century, looked hopelessly outdated beside the sleek new trench watches.  Wristwatches, with their convenience and forward-looking design language, were in vogue.  And pocket watches, with their ponderous sizes and large movements, were out.  Pocket watch sales declined dramatically throughout the 1920s and 1930s, finally tapering off more or less completely in the 1940s.

The wristwatch was ascendant, albeit demilitarized and reimagined for the Roaring 1920s - a decade of unparalleled wealth, fashion and glamour.  But due to massive over-production during the war years, retailers continued to sell World War I trench watches from old inventory well into the 1920s and even up to the early 1930s.

 

Post Script

A few years before her death at the age of 95, my beloved grandmother, who had been by my side during so many antiquing adventures, confided in me about her very earliest childhood memory.  On November 11, 1918, she distinctly recalled marching around outside her family home banging her mother's pots and pans together to celebrate the end of World War I.  It was the first Armistice Day and my grandmother was 5 years old.

May she forever fly with the angels, along with all those lost to us in the Great War.

 

Read more in-depth Antique Sage vintage watch investment guides here.

 

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Antique Samurai Sword Fittings – Tsuba, Fuchi, Kashira, Menuki & Kozuka

Antique Samurai Sword Fittings - Tsuba, Fuchi, Kashira, Menuki & Kozuka
A fine Japanese kashira and fuchi set from the late Tokugawa shogunate, circa 1840 to 1868.  While many antique samurai sword fittings are made from copper alloys, this rare set is made from solid silver with gilt edges (not visible in photo).  It is also decorated with the kamon of the respected Asano clan - two crossed hawk feathers within a circle.

Although we might not always realize it, myth is a vital part of human society.  And while the topic might first prompt thoughts of ancient Greek and Romans deities, there are other mythologies that are just as relevant to our modern era.  The specific myth I have in mind is that of the tenacious Japanese samurai warrior and his deadly sword.

The Japanese samurai has become a mainstay of global pop culture.  Classic works such as the 1954 movie Seven Samurai, the 2005 anime series Samurai Champloo and the 2011 video game Total War: Shogun 2 have all contributed to the modern myth of the samurai.  At this point, the samurai and his famous katana sword are recognized around the world as unofficial mascots of the storied island nation.

But what if I told you that you could afford to own a tangible piece of the samurai myth?  And I mean a real, historical bit of the legendary Japanese fighter - not some cheap, modern reproduction.

Antique samurai sword fittings - the metal mountings used to secure and decorate katana, wakizashi and other Japanese swords - are hand-forged works of art straight from Japan's celebrated feudal past.  Most date no later than the end of the Japanese Tokugawa shogunate (circa 1868), making them at least 150 years old.  And they often have incredible attention to detail that must simply be seen to be believed.

These historically important items were used to display a samurai's wealth and social prominence.  But even more importantly, antique samurai sword fittings represent the physical heritage of a proud warrior class who considered their swords to be sacred.  According to the great 17th century shōgun Tokugawa Ieyasu, the sword was the "soul of the samurai"; a katana's mountings were no less hallowed.

 

Types of Antique Samurai Sword Fittings

There are 5 major kinds of samurai sword mountings: the tsuba, fuchi, menuki, kashira and kozuka.

Tsuba

The tsuba is a sword guard, meant to protect the sword-wielder's hands from an opponent's sword slashes.  While sword guards often took on elaborate basket forms in Renaissance Europe, the Japanese tsuba was a much simpler affair.  It was usually a flat oval or round disc of metal with up to three holes.

The central hole, or nakago-ana, is always present and accommodated the sword blade.  The hole on the left is called the kozuka hitsu-ana.  It was meant for the kogatana, a samurai's small utility knife that was affixed to the outside of the scabbard.  The hole on the right is called the kōgai hitsu-ana.  It held a kōgai, a long metal hair-pin that samurai traditionally used.

Not all of these holes appear on all tsuba.  Some antique tsuba only have the central sword hole (nakago-ana).  Others have both the nakago-ana and the kozuka hitsu-ana for the utility knife.  Still others have all three.  It is common for earlier dated tsuba to lack one or both of these extra holes because they were designed solely as weapons of war - no extra frills necessary.

Fuchi

A fuchi is a metal collar sandwiched between the tsuba (sword guard) and the sword handle, right at the top of the hilt.  They are usually rather short, rarely exceeding a height of more than 15 mm (0.6 inches).

Menuki

Menuki are a pair of small, matching decorations placed on either side of the sword handle.  These were originally utilitarian, covering the steel pins that fastened the sword handle to the tang.  They later evolved into ornamental items as Japanese sword construction techniques advanced.  However, some modern-day sword enthusiasts claim that menuki give the swordsman a better grip on the handle.

 

Antique Samurai Sword Menuki For Sale on eBay

 

Kashira

The kashira is the end-cap of a samurai sword, also known as a pommel in Western parlance.  It resides at the very bottom of the sword handle, helping to keep it firmly in place.  Because they are one of the most readily visible parts of a sheathed sword, Japanese kashira were sometimes elaborately decorated.  Fuchi and kashira were often made in matching pairs.

Kozuka

The kozuka is the metal handle of a samurai's utility knife, or kogatana.  Although not technically part of a samurai sword, the kogatana/kozuka was often secured to the sword via the kozuka hitsu-ana hole in the tsuba.  These elongated rectangular handles rarely measure more than a few inches (10 cm) in length.  Their diminutive size did not stop the Japanese from lavishly decorating them, which also had the added bonus of helping a samurai maintain his grip on the small handle.

 

A Short History of the Samurai

I believe that in order to truly appreciate the mystique of antique samurai sword fittings, we must first understand the history of the samurai.

 

A Chronological List of Japanese Eras

  • Asuka period (538 to 710)
  • Nara period (710 to 794)
  • Heian period (794 to 1185)
  • Kamakura period (1185 to 1333)
  • Muromachi period (1333 to 1568)
  • Azuchi–Momoyama period (1568 to 1600)
  • Sengoku period, Aka the Age of Warring States (1467 to 1600)
  • Edo period, Aka the Tokugawa shogunate (1600 to 1868)
  • Meiji period (1868 to 1912)
  • Taishō period (1912 to 1926)
  • Shōwa period (1926 to 1989)
  • Heisei period (1989 to the present)

 

The origins of the samurai are murky, but are believed to date back to the early Heian period in the 8th and 9th century AD.  It was during this time that Emperor Kanmu in Kyoto resolved to conquer the Emishi people who resided in the northern part of the Japanese mainland.  He recruited powerful Japanese clans headed by shōguns to subjugate his enemies.  These tribal shōguns built large armies of strong mounted warriors who were skilled in archery and swordsmanship.  These mounted soldiers gradually evolved into samurai swordsmen, completing the transition by the 12th century.

Medieval Japan was a feudal society characterized by a strict caste system.  The shōguns (also known as daimyō in later eras) resided at the very top of society as feudal lords.  The samurai ranked just below the daimyō in terms of status, but owed them fealty and military service.  In return the samurai were paid a wage (usually in the form of rice, although payments in coin became more common during the late feudal period).  Most samurai were also granted land and servants, as well as the right to arbitrarily strike down any commoner who compromised their honor!

This system worked well enough until the Sengoku, or Warring States period (1467 to 1600).  During this time the Muromachi shogunate was theoretically in charge.   But in reality the Muromachi had lost their grip on power, allowing the rise of local warlords.  Each of these daimyō warlords had their own loyal samurai army, which they used when jockeying with other warlords for political power.

As a result, the Sengoku period was a time of unrelenting violence, famine and misery.  Many samurai during this period became wandering rōnin after losing their masters in battle.  Rōnin samurai were given little respect in Japanese society because they often resorted to mercenary work or banditry to survive.

The Samurai during the Tokugawa Shogunate

In 1600 AD, the warlord Tokugawa Ieyasu defeated his remaining rivals at the Battle of Sekigahara.  This allowed him to finally unite all of Japan under his undisputed rule, bring the long-running Warring States period to a close.  The Tokugawa shogunate dominated Japanese political life for the next 260 years.  This period was no less transformative for Japanese samurai.

In place of constant combat and social chaos, came peace, increased commerce and widespread prosperity.  Many of the Tokugawa samurai transitioned from full time warriors into largely administrative roles.  They still needed to be battle ready, however, and were required by law to carry their trademark swords with them in public.  But this new, much more peaceful Japan called for precious little bloodshed.

During this period many samurai became government officials in one capacity or another.  The shogunate or local daimyō paid these samurai a regular stipend in either rice or coin.  But wandering samurai, or rōnin, were forced to find peaceful employment elsewhere.  The most talented opened dōjōs where they taught their swordsmanship techniques to paying customers.

Another exceptional aspect of the Tokugawa shogunate during this time was its policy of strict isolation.  Trade with the West was made illegal, with the sole exception of the Dutch, who could trade with the Japanese via the tiny island of Dejima off the coast of Nagasaki.  No other Western countries were allowed to trade or interact with the Japanese during this time.  And any Japanese citizen who went abroad was forbidden to return to his native land, on pain of death.

The samurai were stuck in a time warp.  Even as the rest of the world experimented with and perfected the use of gunpowder, Japanese samurai still trained relentlessly with their swords.  Swordsmanship remained surprisingly effective in the island nation because guns were illegal, with only select parts of the military establishment having access to outdated models (by international standards).  In Tokugawa Japan, samurai still dueled with swords while police battled bandits with antiquated bladed weapons.

 

Japanese Edo Era Tsuba For Sale on eBay

 

The Samurai during the Bakumatsu Period

The comfortable days for the samurai of the Tokugawa shogunate began to unravel in 1853.  That was the year that American Admiral Matthew Perry led a squadron of U.S. warships into Edo (now Tokyo) harbor and demanded the Japanese open trade and diplomatic relations.  The implicit use of force backed Perry's demands.  This was no idle threat either; the American fleet of four massive warships was laden with cutting-edge Paixhans guns and over 1,500 well-equipped troops.

Officials of the Tokugawa shogunate panicked.  They knew Japan's coastal defenses were in a shambles and utterly incapable of defending the capital city - much less the rest of the nation - against an American naval bombardment.  The Tokugawa were also painfully aware of how antiquated the bulk of their samurai army was when compared to Western military forces.  After delaying for a number of months, the Tokugawa finally submitted to American demands.

Foreign people, goods and ideas soon flooded into Japan, setting off an existential cultural crisis in the island nation.  Suddenly the Tokugawa shogunate, which had ruled unchallenged for hundreds of years, was revealed to be weak and incompetent.  Samurai factions arose that demanded the Emperor be restored to power, rather than remain as a mere figurehead.  Others simply wanted the foreigners out, even if it meant war.  But a few forward-looking Japanese officials and scholars saw that the nation desperately needed to modernize if it was to avoid being colonized by the European powers.

This era, which was known as the Bakumatsu, was a period of social chaos, political intrigue and rapid cultural change.  Foreigners were assassinated on the streets of Edo by sword-wielding reactionaries with stunning regularity, as were Japanese administrators and intellectuals.  Yet, the Tokugawa shogunate was powerless to stem the internal dissent.  It was obvious that feudal Japan was coming apart at the seams.

It was during this dark time that one of the greatest samurai organizations of all time was born - the Shinsengumi.  This samurai police force was established to patrol the streets of Kyoto, maintaining order in the name of the shogunate.  Although widely celebrated in modern Japanese culture, the Shinsengumi was only active in Kyoto for a handful of years, from 1863 to 1867.  And the elite force did not long survive its expulsion from Japan's imperial city, disbanding in 1869 after backing the losing side in the Boshin War.

 

Antique Japanese Kozuka & Kogatana For Sale on eBay

 

The Boshin War and the End of the Samurai

When it finally arrived, the twilight of the samurai came with stunning swiftness.  The Japanese provinces of Chōshū and Satsuma formed an alliance in opposition to the central Tokugawa authority and instigated what became known as the Boshin War.  The rebels ostensibly strove to restore the authority of the Japanese Emperor, which they claimed the shogunate had unjustly usurped.  Although considerably outnumbered by the shogunate forces, the imperialist soldiers carried the latest weapons imported straight from Europe.

While their clashes spanned from January 1868 to June 1869, the results of the conflict were inevitable.  The Tokugawa army, largely relying on traditional samurai weapons and tactics, was repeatedly overwhelmed by the superior firepower of the modernized rebel forces.

 

Boshin War Samurai

A gathering of Satsuma samurai during the Boshin War to overthrow the Tokugawa shogunate, circa late 1860s.  Photo credit: Wikipedia

After the dissolution of the shogunate, the new imperial Meiji government wasted little time in implementing major reforms meant to modernize Japan.  However, this was an unwelcome development for many samurai, who had been subjected to something of a political bait and switch scheme.

Originally, the anti-Tokugawa imperialists fought under the pretext of reestablishing traditional Japanese values and institutions.  This was best summarized by the famous 1850s-1860s Japanese political slogan "Revere the Emperor, expel the barbarians."  In this context, barbarians referred to Westerners (Europeans and Americans) and their foreign influence.  In effect, many Japanese equated the restoration of imperial power with a return to Japanese isolationism.

Many samurai found this uncompromising philosophy to be deeply attractive and enthusiastically threw in their lot with anyone rebelling against the weak and corrupt shogunate.  But once the Meiji Restoration occurred, these same samurai were dismayed to find out that the new government had no intention of recreating a traditional, by-gone Japan.  Instead, the Meiji government systematically dismantled the samurai class.

The first blow fell in July 1871, when the central government formally abolished the feudal system.  Although many of the Japanese han (provinces) had already been confiscated from the Tokugawa and their loyalist during the 1868 Boshin war, most remained in the hands of their hereditary daimyō.  This changed in the summer of 1869 when the rest of the daimyo were coerced into surrendering their domains to the Meiji government in exchange for being appointed as non-hereditary governors of their former lands.  By 1871 the Japanese government formally eliminated the han structure and the feudal traditions attached to them.

At this point, political change came with unrelenting speed.  In August 1871, the government promulgated the danpatsurei, or Cropped Hair Edict, which encouraged samurai to cut their distinctive top-knot hair style.

In 1873 the Meiji government took a monumental step towards displacing the samurai class by establishing a western-style, professional army.  This deprived the samurai of their traditional role as the nation's exclusive military force.

The final indignities for the samurai came in 1876.  This was the year the central government in Tokyo passed two culturally earth shattering laws: the Sword Abolishment Edict, or haitōrei, and the Stipend Measure, or chitsuroku shobun.

In March 1876, the haitōrei outlawed the wearing of weapons in public, including swords.  Only the military and police were exempt from this law.  The samurai, who defined themselves via their swords, could now no longer advertise their identity publicly.

A few months later, in August 1876, all samurai stipends were mandatorily converted into government bonds.  This effectively cut-off the samurais' salary and replaced it with a bond that only paid out 25% to 90% of their lost wages.

At this point, the samurai were no longer really samurai.  Their official military role had been eliminated.  Their once mighty feudal lords had been turned into paper-pushing governors who had little true authority.  The samurai could no longer wear their beloved swords or traditional top-knots.  And they weren't even paid to be samurai anymore.

Many samurai accepted this demotion in social status with surprising equanimity.  After all, by the late Edo era a great number of samurai were functionally bureaucrats themselves, far removed from their warrior roots.  But a few die-hard samurai clung to the old ways and refused to accept their diminished status.

These remaining fanatics coalesced around a charismatic leader, Saigō Takamori.  In 1877, he led a final samurai rebellion against the central Meiji authority in the southern province of Satsuma.  At this point, the remaining samurai had little to lose as all their prerogatives had already been stripped away.

Although they fought valiantly, the Satsuma Rebellion was doomed to failure.  Many of the samurai refused to fight with rifles, but instead chose to do battle with their traditional weapons: swords, naginata and bows.  They believed the righteousness of their cause and indomitable warrior spirit would carry the day.

They were wrong.

The Meiji government's army of conscript peasants, armed with modern rifles and trained in the Western style, defeated the rebels in a series of pitched battles between January and September of 1877.  Saigō Takamori, who is sometimes referred to as "the last samurai", was cut down in battle and his remaining forces crushed.  The traditional Japanese samurai died with him.

 

Identifying Antique Samurai Sword Fittings

One important way to identify antique samurai sword mountings is to determine the metal used in their construction.  Tsuba, in particular, can be divided into two categories: iron tsuba and soft-metal (kinko) tsuba.  All other samurai sword fittings - fuchi, menuki, kashira and kozuka - were usually fashioned from soft-metal alloys.  This is because tsuba could potentially benefit from the structural strength imparted by iron, while other mountings were largely ornamental in nature.

Iron is a metal most of us are familiar with, so I won't spend much time on it.  In contrast, the soft-metal (generally copper-based) alloys the Japanese used are really quite unfamiliar to most people.  So they will get the bulk of my attention.

The Japanese employed a number of different kinko alloys to impart a specific look or feel to a finished article.  Contemporary medieval metalworking in Western cultures, in contrast, took a completely different philosophical approach to finishing metals.  Instead of relying on a profusion of different alloys for aesthetic effect like the Japanese, Europeans used surface treatments like acid etching and plating to achieve various finishes.

 

Edo Era Fuchi & Kashira For Sale on eBay

 

Shakudō

Shakudō is one of the classic Japanese metalsmithing alloys.  Shakudō is an alloy of between 1% and 10% gold, with the balance composed of copper.  However, the typical shakudō alloy contained 2% to 7% gold.  Because of the expense of gold, cheaper shakudō alloys will tend towards the lower end of that range.  Only the very wealthiest and highest status samurai could afford high quality shakudō mountings for their swords.

This unique alloy naturally develops an alluring velvety bluish-black or purplish-black patina over time.  But Japanese craftsman more commonly induced the prized patina immediately via an oxidizing paste called rokushō.  Historical references to shakudō appear as early as the Nara period (710 to 794 AD), but the first surviving examples of the alloy date from the 12th century.  In any case, shakudō is one of the most important alloys used in antique tsuba, fuchi, kashira, menuki and kozuka.

Shibuichi

Shibuichi is another important Japanese metal alloy.  It consists of anywhere from 15% to 70% silver, with the rest being copper.  The addition of silver to copper produces a wide range of subtle grays, from an intense, charcoal-gray for low silver content alloys to a light, powdery-gray for high silver content alloys.  In some instances, shibuichi was further mixed with a tiny percentage of gold (usually 1% or 2%) to achieve other minor color variations.

Shibuichi's origins undoubtedly date back to Japan's medieval era, although it was first noted in early 18th century records from the Tokugawa shogunate mint.  This unusual metal was widely used by skilled Japanese metalworkers to create very fine samurai sword fittings in the 18th and 19th centuries.

The Western equivalent to shibuichi is an alloy called billon, which was composed of copper with less than 50% silver.  But unlike shibuichi, billon was only used in medieval European coins as a debased silver alloy.

Yamagane

Another Japanese alloy, yamagane, was used exclusively in older, pre-Edo era days (before 1600).  This metal was crude, unrefined copper, more or less exactly as it came smelted from the mine.  Due to its origins, it was sometimes called "mountain metal".

Yamagane was commonly used in kinko samurai sword fittings from the Kamakura (1185 to 1333 AD) and Muromachi periods (1333 to 1568 AD).  This is due to the fact that the technology to produce refined copper (suaka) was expensive and not widely known during those eras.  Being a naturally occurring alloy, there was no explicit, set formula for yamagane's composition.  But it is a good bet that most yamagane is around 95% copper, give or take, with small amounts of zinc, tin, lead, silver and arsenic making up the balance.

Yamagane is a deep, rich brown color, sometimes with hints of gray.  However, it takes some experience to distinguish raw, yamagane copper from refined, suaka copper based on looks alone.  You can expect to encounter yamagane only rarely due to the scarcity of surviving pre-Edo era samurai sword fittings.

Shinchu

Shinchu is what we would call brass today - an alloy of perhaps 75% to 85% copper, with zinc rounding out the balance.  Sometimes lead was added too, probably to change the final patination effect.  Shinchu has been continuously used in Japanese metalworking since the Nara period (710- 794 AD).

Sentoku

Sentoku is roughly the equivalent of bronze, an alloy composed mostly of copper and tin, with a small admixture of zinc and lead.  This produced a yellow-brown metal that wasn't as bright as shinchu, but was otherwise quite similar.

Silver & Gold

In addition to the above soft metal specialty alloys, antique samurai sword mountings often have decorations crafted from silver or gold.  In many instances, the precious metal was inlaid into the underlying base metal.  On other specimens, the gold or silver decoration was applied as thick wire or sheet that stood in relief.  In very rare instances, the entire piece was made from solid silver (or gold, although such examples are quite uncommon).

The next identification method I want to discuss is a craftsman's signature.  While many high quality antique samurai sword fittings were signed, not all masters saw fit to sign their creations.  In fact, there are many more unsigned samurai sword fittings than signed ones.  I would also like to note that it is more common for a tsuba to be signed than other mountings.

Unfortunately, translating the signature on an old tsuba can be quite challenging for those of us who are not fluent in Japanese.  But once a signature has been deciphered, the tsuba can usually be attributed to a specific artistic school and perhaps dated.  Below is a helpful guide to tsuba signatures that I've pulled from JSSUS (The Japanese Sword Society of the United States):

 

Signatures of the Major Tsuba Schools

赤尾 Akao 明珍 明弥 Myôchin
赤坂 Akasaka 明弥 紀 Myôchin Ki
Aoi 南蛮 Nanban
備前与四郎 Bizen-Yoshirô 奈良 Nara
武州 Bushû 西垣 Nishigaki
長州 Chôshû 信家 Nobuiye
大五郎 Daigorô 応仁 (應仁) Onin
越前 Echizen 尾張 透 Owari sukashi
Hayashi 早乙 Saotome
後藤 Gotô 志水 Shimizu
肥後 Higo 正阿弥 Shôami
平田 Hirata 秋田正阿弥 Akita shôami
平安城象嵌 Heianjô Zôgan 会津正阿弥 Aizu shôami
彦根彫宗典 Hikone Bori Sôten 備前正阿弥 Bizen shôami
法安 Hôan 古正阿弥 Koshôami
伊藤 Ito 京正阿弥 Kyô shôami
加賀 Kaga 庄内 Shonai
鏡師 Kagamishi 藻柄子宗典 Soheishi Sôten
加賀与四郎 Kaga-Yoshirô Sôten
鎌倉 Kamakura 太刀金具師 Tachi Kanagu-shi
金山 Kanayama 太刀師 Tachi sh
金家 Kaneiye 天法 Tempo
甲冑師 Katchûshi 土佐明珍 Tosa Myôchin
記内 Kinai 土佐 Tosa
金工 Kinkô 刀匠 Tôshô
古美濃 Ko Mino 埋忠 Umetada
古刀匠 Ko Tôshô 柳生 Yagyû
京透 Kyô Sukashi 山吉 Yamakichi
美濃 Mino 山吉兵 Yamakichibei
水戸 Mito 与四郎 Yoshiro

 

Sometimes a samurai sword fitting will be engraved with a family crest, known in Japan as a kamon.  While a kamon will not tell you who made a piece, it will tell you who it was made for, which is almost as meaningful.  A kamon provides a direct link between an old sword fitting and the samurai who commissioned it.

Kamon were popular with samurai because they instantly communicated clan affiliation and social status to any onlooker.  But kamon were most often displayed on a samurai's clothing.  Adding one as a decorative element to the katana was completely at the discretion of an individual samurai.

Attributing a samurai sword mounting's kamon to a particular clan might also reveal the geographic origin of a specimen, which is a nice bonus for connoisseurs.  Unfortunately, relatively few antique samurai sword fittings used kamon as decorative motifs, making this method of identification somewhat less useful than it would first appear.  This website on Japanese heraldry might prove useful for looking up any kamon you come across.

Being able to accurately describe the design or decoration on antique samurai sword fittings is another invaluable skill for the collector.  The design choices made by the artisans tended to reflect traditional Japanese aesthetics.  Major themes included geometric designs, animals, insects, holy men, ritual objects, demons, warriors and scenes from nature or daily life.

Because these motifs were recycled again and again throughout Japanese history, it is difficult, if not impossible, to date a samurai sword mounting from its design alone.  Still, it is imperative for the collector to know what is being represented and its importance in Japanese culture.

 

Dating Antique Samurai Sword Fittings

Dating old samurai sword fittings is notoriously difficult.  Traditional materials, forms, decorative elements and smithing techniques were continuously utilized for several hundred years with little change.  This leaves collectors in a quandary.  In extreme cases, it can be difficult to tell the difference between a 17th century tsuba and an early 20th century one!

In spite of this obstacle, it is possible to make some broad assertions that can help the aficionado to date antique samurai sword fittings, especially tsuba.

First, and perhaps obviously, early mountings are much rarer than later ones.  Any material from before the start of the Tokugawa shogunate (circa 1600) is scarce.  Being primarily weapons of war, these Kamakura/Muromachi/Sengoku era tsuba were almost entirely functional in nature.  As a result, most (although not all) specimens were made from iron in simple egg, oval or round shapes.  Decoration of early iron tsuba was generally restricted to simple pierced geometric motifs.  In addition, it was not unusual for one or both of the kozuka hitsu-ana and kōgai hitsu-ana holes on either side of the central nakago-ana hole to be absent.

 

Old (Pre-Edo Era) Tsuba For Sale on eBay

 

According to legend, the first soft-metal (kinko) tsuba were produced in the late 15th century by the famous artisan and founder of the renowned Goto school, Goto Yujo.  I would take this folklore with a grain of salt, however, as it is impossible to verify with any degree of accuracy.

The rise of the Tokugawa shogunate in the Edo era fundamentally changed the role of the samurai class in society.  As real battles faded into the past and peace became the norm, samurai sword fittings became more ceremonial or decorative in nature.  A high-ranking samurai's tsuba or kashira became the perfect venue for him to advertise his wealth, social status and power.

Because of this, samurai sword mountings became increasingly lavish over the course of the Edo era.  This doesn't mean that extravagant tsuba, fuchi or menuki weren't produced early in the Edo period - only that opulent examples are more common in the 19th century, as opposed to the 17th century.  The bulk of genuine antique samurai sword fittings available in the marketplace today are from 18th or 19th century Edo Japan.

The fall of the Tokugawa shogunate and the subsequent destruction of the samurai class in the 1870s created a crisis for sword fitting makers.  Most went out of business as demand collapsed, but a few still managed to hold on.  These tenacious survivors continued producing small quantities of high quality goods throughout the Meiji, Taishō and Shōwa periods.

It can be exceedingly difficult to distinguish a 20th century tsuba from a 19th century Edo example.  However, more modern specimens will often display a precision or crispness that is generally lacking in older pieces.  It is important to note that most of the samurai sword fittings created in the post Edo era were cheap reproductions intended for the tourist market.  Relatively few high quality mountings were handmade by skilled artisans using traditional methods in the 20th century.

I would also like to briefly talk about the impact of World War II on the Japanese samurai sword industry.

After Japan lost World War II, Allied occupation commander Douglas MacArthur ordered all samurai swords to be confiscated and destroyed on the grounds that they symbolized Japanese military aggression.  Although this law was soon amended to preserve historically significant specimens, a large number of very fine, very old swords had already been dumped into Tokyo Bay or melted down for scrap.  Presumably, an equally large number of magnificent antique samurai sword fittings were lost at the same time.

This single event was probably one of the largest art purges of all time, albeit unintentional.

Happily, American servicemen in Occupied Japan were allowed to take some surrendered swords home with them as war trophies.  Due to this historical good fortune, many artistically important swords (and their mountings) were saved.  It also means that a disproportionately large number of fine old samurai swords reside in the United States.

 

A Buyer's Guide to Antique Samurai Sword Fittings

When investing in antique samurai sword fittings, the primary criterion is always quality.  You want a piece made by a master, or at least a skilled journeyman.  Good, investable specimens will always be finely finished, with incredible attention to detail.  This is true regardless of whether they are made from iron or a soft-metal, like shibuichi.

Unlike many antiques, age is a secondary factor when collecting tsuba, fuchi, menuki, kashira and kozuka.  Quality trumps everything.  I would much rather own a superb mid 20th century tsuba than a poor quality example from the 15th century.

Look for specimens that have an even, intact patina.  The exact appearance of a good patina will vary depending on the specific metal alloy used.  Unfortunately, this knowledge can only be gained through experience (looking through a lot of online auction listings can help).

Conversely, avoid anything that has been harshly cleaned.  Cleaned examples will often have an unnatural appearance that doesn't "fit" with the purported age of the piece.  In addition, the absence of an appropriate patina may indicate a modern forgery.

It is also wise to avoid tsuba and other sword fittings that are crude or poorly finished.  Many vintage (and modern) reproductions were cast because it was a cheap and easy production method.  However, these copies often exhibit unfinished seams, porous surfaces and generally bad workmanship.

Watch out for damaged pieces.  With iron tsuba, this generally takes the form of fire scale, cracks, pitting or excessive rust.  Damage to soft-metal (kinko) pieces is often due to botched cleanings or other mistreatment that leaves deep scratches or mechanical abrasions on the surface.  Also, never try to clean an antique samurai sword mounting yourself.  You are likely to strip its patina and damage it, permanently reducing its value and desirability.

Don't be put off by small chisel marks that you might see around the central hole on some tsuba.  These marks are not damage.  They are called tagane ato (literally translated as "punch marks") and were made to tightly fit a remounted tsuba onto a new sword.  In fact, tagane ato can be an indicator that a tsuba has seen real use and is genuinely old.  This clue isn't foolproof, though; tagane ato can be faked.

 

High-End Samurai Sword Tsuba For Sale on eBay

 

I would also like to note that most fake antique samurai sword fittings in circulation today originate from China.  Therefore, it is a cardinal rule to never, ever buy old Japanese swords or their paraphernalia from China!  You are almost 100% guaranteed to get a worthless reproduction.

Stick to buying exclusively from trustworthy dealers instead.  Many of these established dealers are located in Japan, but sell internationally via eBay.  Respected dealers from the United States and Europe also sell on eBay.

Prices for old samurai sword fittings can vary greatly depending on quality, age and materials.  All else being equal, you should expect to pay more for a tsuba made of shakudō or a precious metal, versus one made of iron, copper or some other base metal.

Old samurai sword mountings that are richly decorated will generally be more desirable and expensive than those that are plain.  One exception to this rule is very old, pre-Edo era tsuba, which can be quite pricy even with little in the way of decoration.

Good quality antique samurai sword fittings start at just over $100, although I have heard of one lucky buyer picking up a genuine Muromachi era iron tsuba for $20 on eBay!  There are many fine specimens available in the $200 to $400 range.  If you're willing to spend $800 or $1,000, you can expect to score a superlative piece, like this signed Edo era tsuba from the Ishiguro School.  At $1,500 or $2,000 you are easily into museum quality territory.

I find it amazing that you can hold a centuries old piece of the samurai legacy in your hands for only a couple hundred dollars or less.  It boggles the mind that these cultural treasures have somehow been overlooked in our modern age.  However, I don't expect this opportunity to last forever.  One day these jewels of old Japan will be recognized for what they are, and prices will be much higher when that day comes.

 

Read more in-depth Antique Sage Japanese antiques investment guides here.

 -or-

 Read more in-depth Antique Sage militaria investment guides here.


Duty, Honor, Country – Vintage U.S. Military Insignia

Duty, Honor, Country - Vintage U.S. Military Insignia
This collection of vintage U.S. military insignia is typical of the high quality items still available to militaria enthusiasts today.  The sterling silver pilot's wings are World War II vintage, while the 10 karat gold-filled Second Lieutenant officer's bars are from the Vietnam era.  Notice the pleasing, undisturbed patina on the pilot's wings, which helps confirm that they are genuine vintage insignia and not modern reproductions.

Duty, honor, country.  These are the three timeless words that began five star general Douglas MacArthur's farewell speech to the graduating West Point class of 1962.  But they are more than just words.  They are core concepts that have governed the motivation and behavior of generations of U.S. fighting forces.  These noble ideas are exquisitely encapsulated in vintage U.S. military insignia - personal items that are rich with both martial history and tradition.

Military insignia are cloth patches or metal pins used to denote rank, affiliation or technical qualification.  They are distinct from medals, like the Purple Heart or Bronze Star, which are awarded based on merit.  This article will exclusively discuss vintage U.S. military insignia that are made from metal, with the term vintage in this case referring to the 1970s or earlier.  These highly desirable pieces of Americana have witnessed the most pivotal moments in 20th century military history, including World War I, World War II, the Korean War, Vietnam and the depths of the Cold War.

Vintage U.S. military insignia were generally worn on a soldier's lapel, collar or hat and were an integral part of the military uniform.  They were especially prominent on the dress uniform, where the rich warmth of gold and the subtle glint of silver endowed an immaculate, polished appearance.  However these impeccable devices not only complemented a soldier's image, but also helped instill a deep sense of esprit de corps and sacred obligation.

For most of its existence, the United States did not maintain a large standing army.  Instead the country only fielded a small peacetime force that radically expanded during wartime.  For instance, the U.S. Army was only 98,000 strong in 1914, but quickly ballooned to around 4,000,000 troops just a few years later due to World War I.

It was only during World War II that the U.S. Armed Forces became a permanently large standing force.  This was driven initially by the exigent need to defeat Nazi Germany and Imperial Japan.  After World War II, the rise of communism forced the U.S. military to maintain its wartime footing in order to act as a global counterweight to aggressive Soviet expansion.

The United States Armed Forces has five branches - the Army, Air Force, Marine Corp, Navy and the often overlooked Coast Guard.  The U.S. Air force is the newest of the armed services, having only come into being in 1947.  Before this time, the Air Force did not officially exist.  Instead, the responsibility for military aviation was divided among the U.S. Army, Navy, Marine Corp and Coast Guard.  However, the United States Army Air Forces, or USAAF, was the most prominent of these pre-1947 air units.

Although they are rapidly becoming hot items in the militaria market, most vintage U.S. military insignia weren't originally that rare.  Millions of men and women served in the U.S. forces over the course of the 20th century and nearly all of them wore insignia of some description.  However, the original ubiquity of vintage U.S. military insignia belies their true scarcity today.

It is estimated that only 558,000 of the 16.1 million Americans who served during World War II are still alive in 2017.  As the veterans of this world-altering conflict have inevitably passed on, many of their military insignia have been accidentally lost or discarded.  Sometimes the children or grandchildren of these veterans, not recognizing the historical value of these remarkable pins, simply threw them in the trash.  And now that veterans from the Korean and Vietnam conflicts are also reaching advanced ages, vintage U.S. military insignia from the 1950s and 1960s are destined to soon become rarer as well.

 

Vintage Sterling Silver U.S. Air Force Insignia for Sale on eBay

 

A wide range of materials have been used in vintage U.S. military insignia.  The most common is probably brass or bronze that has been gilt or silver-plated, as appropriate.  Brass has the advantage of being inexpensive and reasonably durable for field service.  Less sturdy materials such as plastic or die cast zinc alloys have also occasionally been used during wartime when copper was in short supply.

Silver-filled and gold-filled metals are fairly common.  Sterling silver was also readily employed, although its prevalence declined precipitously in the late 1960s due to the rising global price of silver.  Very rarely, high-end pins were made from solid karat gold.

Perhaps the most commonly encountered vintage U.S. military insignia is the Honorable Service Lapel Pin, which was given to veterans who had been honorably discharged.  It features a perched eagle within a ring about to take flight - usually rendered in gilt metal.  This pin is colloquially known as the "Ruptured Duck", ostensibly because the awkward eagle looks more like a misshapen duck than a majestic bird of prey.

The Honorable Service Lapel Pin's original incarnation was in 1919 as a cloth patch.  It allowed a veteran to continue wearing his military uniform after being discharged - something that was normally strictly forbidden by military regulations.  This was particularly important in the immediate aftermath of World War II, when wartime shortages made civilian clothing difficult to procure.  Most Honorable Service Lapel Pins were made from gilt brass, but plastic, die cast, sterling silver and karat gold examples all exist.

 

Vintage Sterling Silver Ruptured Duck Insignia for Sale on eBay

 

One of the most highly coveted of all vintage U.S. military insignia is the U.S. Army parachutist's badge, also commonly known as "jump wings".  This pin features a central parachute flanked by two feathered wings - all rendered in oxidized silver.  The design was first created in 1941 as a way to recognize freshly trained U.S. Army paratroopers who had just qualified for this newly invented and highly demanding discipline.

The very first order of 350 jump wings was crafted by the Philadelphia luxury jeweler Bailey, Banks & Biddle.  But over the years, many different private firms have manufactured these unique pins under official government contract.  These pins are usually silver-filled or sterling silver.

There are several variations of the U.S. Army parachutist's badge.  In 1950, the Senior and Master parachutist's insignia were authorized.  Both of these pins are identical to the basic U.S. Army parachutist's badge, except the former has a star on top of the central parachute and the latter has the same star within a wreath.

An unofficial modification that was frequently made to jump wings by many soldiers and vets was the addition of small bronze stars to represent the number of combat jumps conducted.  The maximum number of these "combat jump stars" is always five.  While not originally sanctioned by the U.S. military, this common practice was eventually made official in 1983.  Vintage jump wings with bronze stars are highly desirable in the collecting community, so buyers should beware of fabricated examples.

 

Vintage Sterling Silver U.S. Army Paratrooper Insignia for Sale on eBay

 

The U.S. Marine Corp's Eagle, Globe and Anchor is also a ubiquitous symbol among vintage U.S. military insignia.  While the eagle and fouled (tangled) anchor were used to represent the U.S. Marine Corp since the early 19th century, the current Eagle, Globe and Anchor design was only adopted in 1868.  The Eagle, Globe and Anchor, also known among collectors and Marines as the EGA, consists of a globe showing the western hemisphere with a fouled anchor behind and an American bald eagle surmounting both.

While there was a lot of variation in EGAs through the late 1950s, by the early 1960s they had been standardized.  Since that time, the Eagle, Globe and Anchor for enlisted men has been all gold in color while officers' EGAs have been all silver except for the anchor and continents on the globe, which are gilt.  Because the number of active Marine Corps members has always been small compared to the other U.S. Armed Forces, their pre-World War II insignia are relatively uncommon.  A detailed, albeit dry, history of the Marine Corp EGA can be found here.

 

Vintage Sterling Silver U.S. Marine Corp Insignia for Sale on eBay

 

Another attractive vintage U.S. military insignia that is quite popular with collectors and history buffs is the U.S. Navy's Submarine Warfare pin.  It shows a central, oncoming submarine flanked on either side by two sea monster-like dolphins.  The Submarine Warfare insignia for officers are gilt while enlisted men's pins are all silver in color.  Because submarines are a relatively new technology, the U.S. Navy Submarine Warfare pin was only first designed and issued in 1924.  Vintage examples of this desirable pin can be found in silver-plated (or gold-plated) bronze, silver-filled (or gold-filled) and sterling silver (or gold-filled over sterling silver).

It is also quite common to come across officer's pins while searching for vintage U.S. military insignia.  Although relatively simple in design, these important emblems of rank helped identify officers at a glance.  Below is a list of military officer ranks and their associated insignia.  I've included the equivalent U.S. Naval and Coast Guard ranks in parenthesis.  All U.S. military branches - the Army, Air Force, Marine Corp, Navy and Coast Guard - share the same officer's insignia:

 

  • Second Lieutenant (Ensign) - One vertical gilt bar
  • First Lieutenant (Lieutenant Junior Grade) - One vertical silver bar
  • Captain (Lieutenant) - Two vertical silver bars
  • Major (Lieutenant Commander) - A gilt leaf
  • Lieutenant Colonel (Commander) - A silver leaf
  • Colonel (Captain) - A silver eagle clutching arrows and an olive branch
  • Brigadier General (Rear Admiral - lower half) - One silver star
  • Major General (Rear Admiral - upper half) - Two silver stars
  • Lieutenant General (Vice Admiral) - Three silver stars
  • General (Admiral) - Four silver stars
  • General of the Army (Fleet Admiral) - Five silver stars in a circle

 

It is important to note that the very highest rank of General of the Army or Fleet Admiral has not been conferred on any member of the U.S. Armed Forces since World War II.  As you can imagine, general's stars are rather rare and highly coveted in the collecting community.  Fakes abound and great caution is urged when looking to purchase these items.  The novice (and perhaps even intermediate-level) vintage U.S. military insignia aficionado would do well to stick to the rank of colonel or lower.

 

Vintage Sterling Silver U.S. Navy Insignia for Sale on eBay

 

A huge number of private companies have received official U.S. military contracts for pins over the decades.  In addition, there have been a fair number of "unofficial" suppliers as well, especially for pre-World War II officer's pins.  As a result, it is not possible to list all of the different makers that one might encounter on vintage U.S. military insignia.

However, there are a handful of companies that manufactured a disproportionately large share of vintage pins.  These include Balfour (often abbreviated LGB), Luxenberg, Amico (American Insignia Co.), Gemsco, H&H (Hilborn & Hamburg) and N.S. Meyer Inc.  The aspiring vintage U.S. military insignia collector should take note that these makers are the most frequently faked too.  I've found this militaria site to be a useful reference for legitimate hallmarks.

For the serious connoisseur, the ability to accurately date vintage U.S. military insignia is a requirement.  One of the best ways to do this is via the attachment mechanism on the back of the pin.  The two earliest types of fasteners are the screw back and the pin back.  The screw back fastener employs a threaded post soldered onto the back of the pin which is secured via a (usually) brass retaining nut.  This type of fastener first appeared in the 1890s and persisted until the World War II era.  Likewise the pin back fastener, also known as the jeweler's pin or safety pin fastener, was also used from the late 19th century straight through to World War II.

During the 1920s a new type of fastener, called the Phinney clutch (after its inventor), pull clutch, or piston clutch came into widespread use.  This fastener used a small, smooth post secured by a mechanical brass clutch.  The Phinney clutch was superior because its modestly-sized, smooth post did not make a large hole in uniforms, unlike the older screw back version.  It was easier to use than the fussy pin back fastener as well.

However, in 1942 the B.A. Ballou Company of Rhode Island made a breakthrough in clutch technology.  They developed the eponymous Ballou clutch, a fastener made entirely out of thin sheets of stamped brass.  It was used on smooth posts, much like a Phinney clutch, except the user squeezed two tabs on either side of the clutch between his thumb and forefinger.  The U.S. military loved the Ballou clutch because it was easy to use, cheap to manufacture and used very little brass during a period of intense wartime demand.  The Ballou clutch rapidly displaced all other fastener types, which are only infrequently encountered after World War II.  The patent on the Ballou clutch expired sometime during the 1950s or 1960s, allowing other firms to manufacture clones after that time.

It should be noted that the clutches of some vintage military insignia have, either accidentally or intentionally, been swapped out over time, making this a fallible dating method.  However, screw back and pin back fasteners are very difficult to alter without leaving tell-tale evidence.  Despite its drawbacks, the fastener type is still a key method for dating vintage U.S. military insignia.

 

Vintage Sterling Silver U.S. Coast Guard Insignia for Sale on eBay

 

Another way to date more recent vintage U.S. military insignia is via date codes.  These were alpha-numeric codes assigned to pin manufacturers that had received official military contracts.  Sometime between 1953 and 1960, insignia contractors began using a code consisting of a single letter followed by a single number.  For example, B-1 stood for Balfour.  Around 1965, the code was changed to a single letter followed by double digits.  For instance, M-22 represented N.S. Meyer.  This code system is still in use today.

The U.S. Navy also adopted its own unique code system of a single letter, double digits and the letter "N".  The navy has used this code from 1974 until the present.  It should be noted that these alpha-numeric codes only applied to official military suppliers; unofficial pin suppliers did not use them.

Quality counts when looking to invest in vintage U.S. military insignia.  You want a damage-free pin with lots of crisp detail and little or no wear.  Does the eagle on your World War II era Ruptured Duck pin look like he just lost a drunken bar fight?  Then walk away and search for another, better example.

I personally believe that vintage U.S. military insignia made from precious metals are substantially more desirable than those that aren't, all else being equal.  However, most insignia collectors out there right now don't agree with this assessment.  They largely collect based on era, military branch or type.  But I think that the use of precious metals grants an additional dimension of investability to vintage insignia that does not exist otherwise.

Therefore, I recommend buying solid sterling silver or (admittedly rare) karat gold examples.  Prices for sterling silver vintage U.S. military insignia are hardly any higher right now than similar pieces in brass or silver-filled/gold-filled, but should have greater future return potential.  While I don't normally like gold-filled antiques or jewelry for investment purposes, I think that sterling silver vintage military pins with gold-filled trim are entirely acceptable.

In fact, a lot of vintage U.S. military insignia are gold filled over sterling silver, which is far superior to normal gold electroplating.  This is sometimes abbreviated as GoS, or gold-on-silver.  Keep in mind that you will have a very hard time finding affordable sterling silver or solid karat gold specimens from before World War II due to their rarity and desirability.  For these earlier eras, any material is acceptable.

 

Vintage Sterling Silver U.S. Army Insignia for Sale on eBay

 

It is vital to favor pins that have an even, undisturbed patina.  This will help you avoid specimens that have been harshly cleaned as well as modern reproductions that are sometimes sold as vintage pieces.  It also isn't uncommon to find new-old-stock, or NOS, insignia from several decades ago in their original retail boxes.  These will nearly always have some patina if they are truly as old as they claim.

Some collectors of vintage U.S. military insignia avoid NOS pins because they want items that were used in active service.  I, however, am indifferent to this preference and believe the final choice is up to the individual collector.

The biggest challenge for the vintage U.S. military insignia aficionado is to avoid fakes, reproductions and fantasy pieces.  This has become more of a problem over the past 10 to 15 years as the militaria collecting niche has absolutely exploded in popularity.  This trend has been partly driven by the passing of the World War II generation and the melancholy realization that the remaining survivors will not be with us for much longer.

Unfortunately, persistently rising militaria prices have induced some unscrupulous profiteers to fabricate, modify or otherwise fake vintage insignia.  Knowledge is the collector's best defense against being defrauded.  As already noted, don't purchase a vintage pin that does not have a good, natural patina intact.  Also, make sure that all parts of a pin are period appropriate, including the fastener.  Familiarize yourself with the common manufacturers of the era you are interested in and their hallmarks.  Lastly, buy only from reputable sources; this will help save you money and heartache in the long run.

Pricing for vintage U.S. military insignia can vary considerably depending on the pin's age, condition, material and type.  Higher-end materials, like sterling silver, command a surprisingly modest premium over more pedestrian metals like brass.  Earlier military insignia, especially pieces from before World War II are especially desirable and expensive.

However, the collector's market for these martial relics is still in its infancy, resulting in an inefficient market with wildly differing prices for similar pieces.  Pricing can range from an unbelievably low $10 to $20 for a relatively common World War II era sterling silver Ruptured Duck pin to a few hundred for a desirable pair of early Army Air Corps wings.  Only a few of the very rarest specimens exceed $500 in value, giving savvy collectors of modest means a unique opportunity to "buy the best of the best".

It is shocking how undervalued high quality vintage U.S. military insignia are right now.  This is one of those few categories of antiques where less than $100 is enough to start a meaningful collection.  With a variety of attractive specimens available for around $50, duty, honor and country has never been a better investment.

 

Read more in-depth Antique Sage militaria investment guides here.