Depreciation: How Art Can Make the Numbers Work in Your Favor

Depreciation - How Art Can Make the Numbers Work in Your Favor

When most people hear the word depreciation they normally think of an accounting term vaguely linked to taxes.  While this impression isn’t untrue, the word depreciation has a much greater meaning to investors in tangible assets.  Depreciation is simply the gradual and inevitable erosion of value that happens as a physical item wears out over time.  This primarily occurs in two ways: first through exposure to the elements and second via mechanical wear.  But in either case, depreciation is the mortal enemy of any tangible asset investor.

Houses, boats and cars are all examples of tangible assets that slowly bleed value through depreciation unless money is constantly pumped into them.  A house, for example, can give the illusion of gaining in value every year.  But this ignores the fact that a homeowner has to inject a substantial amount of money into the structure on an ongoing basis to keep it intact.  This usually amounts to somewhere between 1 and 2 percent of its market value per annum.  Of course, this amount will vary from house to house.  A stone house, all else being equal, will depreciate a bit more slowly than a wooden house due to stone’s higher durability.  But even a stone house will eventually decay into a pile of rubble if repairs aren’t made on a regular basis.

The same concept applies to boats where an old adage recognizes the power of depreciation.  As the time-honored saying goes, a boat is a hole in the water that the owner keeps throwing money into.  If you don’t consistently maintain a boat it will eventually deteriorate to the point where it ends up at the bottom of the harbor.  Even very fine and expensive yachts are subject to depreciation.  In fact, the larger and pricier the boat the greater the dollar amount of yearly depreciation.

Cars aren’t any different.  That 1960’s muscle car might look amazing, but every additional mile that is placed on the odometer lowers the value just a little bit more.  It is possible to avoid much of this depreciation if you’re willing to drain the vehicle’s fluids, remove its wheels, put it up on blocks in a garage and never drive it again.  But even then the rubber hoses and other soft parts of the car will slowly turn to dust over time.  And we’ve ignored the fact that the garage the pampered car sits in will itself slowly depreciate over the years as it sacrifices itself to the elements in order to preserve the prize vehicle.

All this talk of depreciation might sound depressing to someone who wants to invest in tangibles, but there is no need for despair.  There are a variety of tangible assets that have either no or only minimal depreciation.  Vintage fountain pens, mechanical pocket watches or wristwatches, estate jewelry, ancient or medieval coins, European art medals, antique silverware, objets d’art and medieval illuminated manuscripts are just some examples of tangible assets that experience almost no depreciation.  And the storage requirements for these tangible assets are usually modest, requiring only a climate controlled space, like the living area of a house.  With a minimum of care, these works of art will survive and appreciate for decades, if not centuries, to come.

The Sunset of the Age of Discovery

The Sunset of the Age of Discovery

Many historians spend a great deal of time researching the Age of Discovery, when European explorers sailed to every corner of the globe in search of new lands, peoples and riches.  However, they usually focus on the beginning of the period in the 15th and 16th centuries.

In my opinion though, it is really the end of the Age of Discovery that has more importance for art and antiquities collectors.  I loosely define this period as taking place during the early to mid 20th century.  It was during this historically crucial time that the last of earth’s wonders, both manmade and natural, were revealed.

Even a mere hundred years ago an amateur explorer could hike through the densest jungles of South America and into a lost city floating in the Andes Mountains.  Machu Picchu, abandoned by the Incas for almost 350 years, was only rediscovered by American professor Hiram Bingham in 1911.

Similarly, in the late 1940s nomadic Bedouin shepherds accidentally uncovered the Dead Sea Scrolls in desert caves in the Holy Land.  These priceless ancient religious texts contained the oldest extant writings of the Jewish and Christian Bibles known.

The mysterious culture of ancient Egypt also surrendered it last great treasures in the sunset of the Age of Discovery.  Egyptian pharaoh Tutankhamun’s unlooted tomb, found in 1922 by British archaeologist Howard Carter and his benefactor, aristocrat Lord Carnarvon, was almost certainly the greatest archaeological discovery of all time.  Forgotten for over 3200 years, it was a miracle that the tomb had remained intact.

A mere 18 years later, in the dark shadow of a brutal global conflict, French professor Pierre Montet uncovered the only other undisturbed Egyptian pharaoh’s tomb, that of Psusennes I, The Silver Pharaoh.

The earth was still grudgingly giving up her secrets to intrepid explorers into the mid 20th century.  A U.S. bush pilot operating in Venezuela, Jimmie Angel, first spotted the world’s highest waterfall in 1933 – 3,212 foot (979 meters) tall Angel Falls.

Even Mount Everest, the highest point on earth, only succumbed to ambitious New Zealand mountain climber Edmund Hillary and his rugged Nepalese Sherpa Tenzing Norgay in 1953.  However, it is possible that the famed Himalayan peak had actually been conquered decades before by doomed English mountaineer George Mallory in 1924 before claiming his life.

From an exploration standpoint, it had all been done, found or seen shortly after World War II ended.  Incidentally, I think this is one of the reasons the swashbuckling Indiana Jones movie franchise so captivated the public.  The lead character and story were set in the 1930s, the last time an explorer could plausibly still have any realistic hope of finding truly amazing hidden artifacts or cities.  Of course setting the movies against a backdrop of an evil Nazi organization obsessed with diabolical mysticism didn’t hurt either.

The end of the Age of Discovery has significant implications for connoisseurs and investors in fine art, antiquities and antiques.  It means that there are likely no more major unknown civilizations waiting to be uncovered.  Likewise, there are almost certainly no more intact ancient cities waiting in the mists.

The grandest and most important archaeological finds have assuredly been brought to light already.  And, of course, there are no more grand natural mysteries still residing on distant, forgotten corners of the globe.  While this might seem sad, it should help us realize that, as collectors, we are working with a relatively fixed pool of artifacts.  Invest accordingly.

Natural Gold Nugget Australian 9.94 Grams Genuine

Natural Gold Nugget Australian 9.94 Grams Genuine
Photo Credit: Grants-Nuggets-Jewelry-and-More

Natural Gold Nugget Australian 9.94 Grams Genuine

Buy It Now Price: $503 (price as of 2016; item no longer available)

Pros:

-This is a natural Australian gold nugget that weighs in at a chunky 9.94 grams (0.3196 troy ounces).  Almost the size of a U.S. quarter, it is a substantial specimen.  Gold nuggets this large are rare and highly sought after.

-Australian gold nuggets are renowned for their high purity, with gold content typically running in the mid to high 90% range.  Australia, along with the Alaska/Yukon region, is currently the world’s premier gold field with significant nugget production.

-This particular nugget is a marvelous specimen with an interesting shape, lots of intricate detail and a rich, golden color.  The highly textured surface is a physical characteristic common among Australian nuggets.  It is an indicator that this nugget has not been subjected to much hydraulic action which usually happens to nuggets found in streams and rivers.

-Assuming 95% purity this nugget contains about $388 worth of gold (with a gold spot price of $1280 a troy ounce).  Therefore, the premium you pay over spot for this specimen is $115, or a mere 30%.  A 30% premium is on the low end for a gold nugget of this size, taking into account the fact that premiums generally increase in tandem with nugget size.

-This gold nugget originates from Orocal Natural Gold Company, a well-respected firm based in California that specializes in buying and selling natural gold nuggets.  The specimen is also accompanied by a certificate of authenticity from Orocal.

 

Cons:

-Although this is a large gold nugget, there are still larger ones available.  For example, one troy ounce gold nuggets – supposedly as rare as 5 carat diamonds – can still readily be purchased.  Pricing for such a specimen would, predictably, be significantly higher than for this (still sizable) example.

-This gold nugget has no matrix (mother rock) or quartz embedded in it.  An attractive gold nugget with matrix attached typically sells for a significantly higher premium than a similar nugget with no matrix.

The Strong Dollar – Your Key Ally in Accumulating Tangible Assets

The Strong Dollar - Your Key Ally in Accumulating Tangible Assets

Astute investors will have a rare window of opportunity to accumulate tangible assets cheaply over the next decade or so.  And this is likely to be the last good chance for a very, very long time to come indeed.  Many years from now, when we reflect on how ridiculously cheap rough jade or medieval illuminated manuscripts or Edo era Japanese netsuke were circa 2015, we will wonder why we didn’t buy more.  This is one of the great ironies of human nature as applied to investing.  People don’t feel compelled to buy great assets when they are inexpensive.  Instead they wait until after an asset’s value has been widely recognized by society and its price has already ascended to the heavens.

Over the coming years, the U.S. dollar will rise significantly against almost every other currency on the planet.  There is a simple, but poorly understood reason for this prediction.  Fiat currencies derive their strength from two key sources.  One is the government’s acceptance of money in receipt of tax liabilities.  So when an individual or company generates income, a portion needs to be retained and remitting to the government in the form of the prevailing legal tender.  This creates a sustained demand for the national currency unit in question.

The second major source of demand for a fiat currency is debt service.  Money is constantly in demand to satisfy the principal and interest payments on existing debts such as mortgages, car loans, corporate bonds and bank loans, among others.  This is the larger of the two sources of demand for the U.S. dollar.  According to the Federal Reserve Bank’s Flow of Funds (Z.1) report, U.S. dollar denominated debt outstanding as of Q3 2015 totaled over $44 trillion dollars.  This almost unimaginably large sum of debt voraciously consumes dollars like a money vortex that is never satisfied.

Debt in U.S. dollars actually denotes an outright short position in that currency unit.  When an investor shorts an asset (including currency) he does so with the hope it will decline in value in the future.  But over the coming years the opposite is almost certain to happen to the U.S. dollar.  This is because too many people owe too many dollars on outstanding loans.  This is the equivalent of a massive short position in the U.S. dollar.  This will likely trigger an event called a “short squeeze” during the next period of financial uncertainty, prompting everybody to frantically exit their short positions simultaneously.  In this case, people will try to pay back all their dollar-denominated debts at the same time.  This situation will cause the international exchange value of the dollar to skyrocket as everyone – consumers, businesses and financial institutions – scrounges madly for dollars in a desperate attempt to retire their outstanding loans.

But won’t the Federal Reserve just print more dollars to offset this sudden demand?  Well, yes, I certainly believe they will try.  In fact, I fully expect the Federal Reserve to engage in substantial additional quantitative easing (QE) by printing money to buy government bonds, mortgage securities, corporate bonds and even stocks!  However, central banks worldwide have had a poor track record of satisfying the sudden, overwhelming demand for their national currencies in times of crisis via this method.  The Bank of Japan, in particular, is a poster child for the futility of this strategy.

So the dollar will inevitably rise in the coming years.  But there is an intriguing corollary to this scenario.  As the U.S. dollar rises in value, tangible assets of all kinds will become (temporarily) cheaper.  We’re already seeing this in the commodities market, where gold, for example, has lost over a third of its value in last few years.  Art and antiques will most likely experience a similar scenario as the dollar strengthens and over-indebted individuals are forced to sell assets at fire-sale prices.

At this point you may well question why one should invest in tangibles if prices might decline in the near term.  The answer is straightforward; in finance nothing goes up (or down) forever.  While a strong dollar is more or less a foregone conclusion over the coming years, it really represents your best, and perhaps last, chance to build a discriminating collection of fine art or antiques cheaply.  Eventually, after a monumental struggle, I expect that the Federal Reserve will succeed in its misguided effort to debase the U.S. dollar.  I would much rather be holding high quality, investment-grade tangible assets when that time finally arrives rather than stocks or bonds.